This Year’s Buying Trip to the Village and Mucho Mas

by Susan­na Starr

Hav­ing just returned from a vis­it to the weav­ing vil­lage, the images are strong in my mind. For some time my fam­i­ly of three grown chil­dren have been talk­ing about get­ting togeth­er in Oax­a­ca when we did our next buy­ing trip. Although they’ve come down to the weav­ing vil­lage indi­vid­u­al­ly as chil­dren and young adults for many decades, this was the first time they came down togeth­er. At this point in their lives, work and time are dif­fi­cult to come by, so we start­ed mak­ing arrange­ments, sched­ul­ing the vis­it and not­ing it into their cal­en­dars, many months pri­or to the antic­i­pat­ed trip.

Amy, Roy and Mirabai in front of Tlamanalli Restaurant
Amy, Roy and Mirabai in front of Tla­manal­li Restaurant

Our Interwoven Lives with the Zapotec Weavers: An Odyssey of Love

The Zapotec Indi­an cul­ture is a rich one, with many thou­sands of years of endur­ing tra­di­tions. Of all the tra­di­tions, fam­i­ly is prob­a­bly the most impor­tant of the under­ly­ing struc­ture of this ancient cul­ture. My part­ner, John Lamkin, and I had recent­ly pub­lished a beau­ti­ful book called Our Inter­wo­ven Lives with the Zapotec Weavers: An Odyssey of Love (sales@Starr-Interiors.com) which tells the sto­ry of my more than forty years of work­ing with the same fam­i­lies in the vil­lage. John’s beau­ti­ful pho­tographs accom­pa­ny that jour­ney. In it, I trace three gen­er­a­tions of fam­i­lies that I’ve been so close to, as well as pho­tographs of oth­er weavers I’ve been work­ing with, espe­cial­ly on the Line of the Spir­it™, a spe­cial design­er col­lec­tion that has been an impor­tant part of what we do for more than twen­ty-five years.

Roy enjoying tortilla fresh from the comal Rosario, husband Faustino, Amy, Roy and Mirabai.
Roy enjoy­ing tor­tilla fresh from the comal
Rosario, hus­band Fausti­no, Amy, Roy and Mirabai.

Hav­ing Mirabai, Amy and Roy accom­pa­ny­ing us to vis­it each of the weav­ing fam­i­lies was not only impor­tant to the fam­i­lies, but to our fam­i­ly as well. When Roy and Rosario Men­doza met again,  thir­ty years had passed since they both were liv­ing in the Men­doza house in Oax­a­ca. but there was no prob­lem in rec­og­niz­ing each oth­er. Mirabai and Amy were down more recent­ly, some­times with their own chil­dren, but now there were not just two gen­er­a­tions, but three. As close as I am to the orig­i­nal fam­i­lies and their grown chil­dren, it’s this third gen­er­a­tion, the same age as my own grand­chil­dren, that are mov­ing beyond the life they were born into, while still hon­or­ing and prac­tic­ing the cul­tur­al val­ues that have con­tin­ued for so many gen­er­a­tions before them.

Armando in front of special "Tree of Life" which we purchased
Arman­do in front of spe­cial “Tree of Life” which we purchased

Now, through the hard work of their grand­par­ents and par­ents, they have been afford­ed edu­ca­tion­al oppor­tu­ni­ties nev­er before avail­able to pre­ced­ing gen­er­a­tions. Although many of the young peo­ple of this age are still weav­ing, those who have been giv­en the oppor­tu­ni­ties to study at uni­ver­si­ties are con­tin­u­ing on to become doc­tors, den­tists, and study­ing for oth­er professions.

I feel as proud of their accom­plish­ments as I do those of my own grand­chil­dren. The ties we have are strong ones and hav­ing our fam­i­lies togeth­er dur­ing this time was evi­dence of the warmth and friend­ship that goes far beyond just a work­ing rela­tion­ship. Liv­ing in the vil­lage, wak­ing up to the sounds, vis­it­ing the mar­ket to buy our flow­ers and fresh pro­duce, vis­it­ing the fam­i­lies we work with, hav­ing lunch at El Des­can­so and at Tier­ra Antigua with the Montaño fam­i­lies was joyful…and memorable.

The Montaños at El Descanso
The Mon­taños at El Descanso

Also mem­o­rable, was the evening we spent at the home of our good friends, Flo­renti­no and Eloisa Gutier­rez. Their son, Juan Cristo­bal, who stud­ied audio engi­neer­ing in Cal­i­for­nia, has put togeth­er a band and at Mirabai’s urg­ing, decid­ed to per­form a con­cert for us. It was held in their spa­cious court­yard, with lux­u­ri­ant flow­ers and plants pro­vid­ing the per­fect back­drop for the con­cert. And, the younger Fidel Mon­taño was the lead singer. Writ­ing their own music and lyrics and accom­pa­nied by a few oth­er mem­bers of the band, the con­cert was outstanding.

Juan Cristobal, Fidel and their band, Km 1
Juan Cristo­bal, Fidel and their band, Km 1
Roy holding Alta's grandson Pablito
Roy hold­ing Alta’s grand­son Pablito

We spent impor­tant time with Alta Gra­cia, the dye­mak­er for Line of the Spir­it™ since its incep­tion and with her son Jaci and his wife Soledad. We vis­it­ed with the wife of Felipe Lazaro who passed away recent­ly and bought some of her spe­cial­ties of roast­ed pump­kin seed bars, ama­ranth bars and light wafers and exchanged warm embraces. We vis­it­ed with Maria and Eloisa Bautista whose recent­ly mar­ried son, Jacobo now is fol­low­ing in the foot­steps of his par­ents who have been part of the Line of the Spir­it™ team since it began, more than twen­ty-five years ago when he was just a baby. Our fam­i­ly meet­ing with Jovi­ta and her broth­er, Valenti­no and his wife, was affir­ma­tion of the ongo­ing rela­tion­ship of our fam­i­lies, as it was with all the Line of the Spir­it™ weavers.

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Maria & Eliseo Bautista with Susanna and Jazi
Maria & Eliseo Bautista with Susan­na and Jacinto

Hav­ing lunch at Tla­manal­li, the acclaimed restau­rant of world-famous chef, Abi­gail Men­doza, and her sis­ters, was anoth­er spe­cial event. In the kitchen, we cried togeth­er with their moth­er, Dona Clara, who lost her son Arnul­fo, one of the most tal­ent­ed artists the vil­lage has ever known and one of our close friends. In the beau­ti­ful patio, we enjoyed some of their famous dish­es at the tra­di­tion­al­ly dec­o­rat­ed tables. The embraces we exchanged were heartfelt.

Our family with wife of recently deceased weaver Felipe Lazaro
Our fam­i­ly with wife of recent­ly deceased weaver Felipe Lazaro
Our family looks on as art director, Jacinto Morales, discusses technical aspect with Juan Luis and his wife Paula
Our fam­i­ly looks on as art direc­tor, Jac­in­to Morales, dis­cuss­es tech­ni­cal aspect with Juan Luis and his wife Paula

 

 

 

 

 

 

 

 

 

Yes, this was a mem­o­rable vis­it, a tes­ti­mo­ny to what busi­ness can real­ly bring as its reward. We have all pros­pered and its always a joy to see how the entire vil­lage has also pros­pered over these decades. But, always, its the per­son­al rela­tion­ships, the warmth and gen­uine car­ing, the being part of an extend­ed fam­i­ly that is the real bonus. This is as much a part of our con­nec­tion as any­thing else that we con­tin­ue to be involved in togeth­er. The weav­ings they pro­duce and that we sell to our clients who pro­vide a home for them where they will be enjoyed and appre­ci­at­ed com­pletes the cir­cle. But the heart con­nec­tion is what can­not be seen, just felt, and what endures.

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Remembering Richard Enzer — Final Part

Remem­ber­ing Richard Enz­er – Part 3 — Final

by Susan­na Starr

Read Part 1 Read Part 2

The fol­low­ing year, our work sched­ule togeth­er with Richard con­tin­ued and now he was liv­ing in anoth­er house with much more room, while we con­tin­ued liv­ing in the house that would be our Oax­a­ca home for many more years. There were still par­ties and art open­ings and din­ners out at places like El Sol y La Luna which was a restau­rant that fea­tured local musi­cians as well as art exhibits on the adobe walls. Food was served in the indoor cov­ered patio and being with Richard meant being with lots of peo­ple. He always seemed to have the aura of a rock star” and the years we spent togeth­er always seemed filled with ongo­ing adven­ture. Com­plete­ly devot­ed to the work of the Line of the Spir­it, being in the city was anoth­er thing and the cir­cle of friends that we were con­stant­ly involved with was always a col­or­ful one.

Richard Enzer & Susanna Starr in Starr Interior's Courtyard, Taos, New Mexico
Richard Enz­er & Susan­na Starr in Starr Inte­ri­or’s Court­yard, Taos, New Mexico

It was dur­ing these years that we formed the last­ing friend­ship with Mitzi Linn who was Richard’s “spir­i­tu­al advis­er.” It was also then that we were intro­duced to Domeni­co and his friend, both of them fair­ly recent­ly arrived from Italy. They cooked fab­u­lous pas­ta din­ners at Richard’s house, a pre­lude to the restau­rants that Domeni­co would own and oper­ate after he mar­ried a local Oax­a­ca girl, as beau­ti­ful as he was hand­some. Domeni­co is now the own­er of Piz­za Rus­ti­ca, a won­der­ful and well known restau­rant housed in one of the old con­vert­ed Oax­a­ca mansions.
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Miri­am got mar­ried to an archi­tect that she met through the Line of the Spir­it and left to raise a fam­i­ly. Abi took her place and I work with her still. She is my very close friend. Although Ser­gio moved on, we now have anoth­er art direc­tor who was just a child when we began work­ing togeth­er with Richard. Jace is Alta Gracia’s son, which makes it very con­ve­nient since he’s work­ing direct­ly with his moth­er, our extra­or­di­nary dye-mak­er. He and his fam­i­ly are all still very involved in pro­duc­ing spe­cial pieces for the Line of the Spir­it and Alta’s gar­dens are as mag­nif­i­cent as the col­ors she pro­duces for the yarns that hang out to dry in the strong Mex­i­can sunlight.

About five years ago we decid­ed to change the name of our gallery from La Uni­ca Cosa which we had for about thir­ty years, to our new name of Starr Inte­ri­ors. We had a par­ty to cel­e­brate and much to my sur­prise and great plea­sure Richard came. I cried, stirred by an emo­tion I didn’t know I had. He had been sick, I knew, and had sur­vived a kid­ney trans­plant. He looked old­er, but so did I. I flashed back to one of the first open­ings we had for the Line of the Spir­it short­ly after we formed our part­ner­ship. Richard bought me a very spe­cial huip­il from one of the sev­en regions of Oax­a­ca which I wore to that open­ing. It had been a num­ber of years since we had seen each oth­er, with Richard mov­ing onto the Roman­ian project after our part­ner­ship end­ed, and my con­tin­u­ing with the Oax­a­ca project. It was emo­tion­al for both of us and his smile was a reminder of many times we had work­ing togeth­er in those ear­ly years of the nine­teen nineties.

I think, too, of the time when the tele­phone rang one evening and it was Richard. I knew imme­di­ate­ly from his voice that some­thing had hap­pened but wasn’t pre­pared for the news that his son, Michael, had just been killed in a motor­cy­cle acci­dent. Michael was spend­ing time with his Dad in Oax­a­ca and it was Richard’s hope that his involve­ment would con­tin­ue. But that was not to be. It was a dev­as­ta­tion that only a par­ent could know. Unfor­tu­nate­ly, I knew from first­hand expe­ri­ence, hav­ing lost my own son, when he was younger than Michael, a num­ber of years earlier.

Now Richard, too, is gone, hav­ing passed away last year. Hard liv­ing took a toll, I’m sure, but it was the kind of life he chose and I think he enjoyed it “to the max.” There were dif­fi­cult moments but they always passed and what­ev­er hap­pened that appeared dis­rup­tive was always resolved. But his genius lives on in the con­tin­u­a­tion and flour­ish­ing of the Line of the Spir­it. Short­ly after we became part­ners, I rec­og­nized the need for a trade­mark which remains the iden­ti­fi­ca­tion for this stun­ning body of work. Although I have gone on to intro­duce some designs and col­ors of my own, the col­lec­tion still retains his ini­tial vision.

Alta con­tin­ues to do her mag­ic with mak­ing the col­ors. Abi con­tin­ues to keep every­thing togeth­er in Oax­a­ca, Jace con­tin­ues to vis­it each weaver on the project and sup­ply them with the mate­r­i­al they need to com­plete their indi­vid­ual pieces and the fine staff at Starr Inte­ri­ors con­tin­ues to present the Line of the Spir­it col­lec­tion in the three rooms that house the col­lec­tion. We con­tin­ue to use the hand-card­ed, hand- spun wools pre­pared on a drop spin­dle at a remote Zapotec Indi­an vil­lage high up in the moun­tains. How can I men­tion that vil­lage with­out men­tion­ing their oth­er claim to fame, the mak­ing of mescal in home-made stills. Which brings up the mem­o­ries of going there with Richard to buy wool and sam­pling each of the offer­ings of spe­cial mescal from the var­i­ous hous­es in that lit­tle vil­lage. What an adven­ture! That, too, is part of remem­ber­ing Richard.

Day of the Dead — Dias de los Muertos — Oaxaca, Mexico

Altar, Cemetery Chapel - Day of the Dead - Oaxaca State, Mexico
Susan­na Starr plac­ing pho­to on Altar, Ceme­tery Chapel — Day of the Dead — Oax­a­ca State, Mex­i­co ©John Lamkin 

The Day of the Dead cel­e­bra­tion is marked by var­i­ous rit­u­als, includ­ing the Amer­i­can Hal­loween. But in Oax­a­ca this hol­i­day, known as Los Dias de los Muer­tos, is some­thing that goes far beyond trick or treat­ing and chil­dren in cos­tumes. It is not marked by carved pump­kins and chil­dren gar­ner­ing as much can­dy as can fill their bags.

Rather, it is a holy hol­i­day, one that marks the cel­e­bra­tion of those who have passed away, death being part of life. Fur­ther, it is an hon­or­ing of those who once were part of their lives, a day of remem­brance. It is a day infused with a feel­ing of spir­it. Yes, there are parades, such as the large on in Mit­la with all kinds of flam­boy­ant cos­tumes, and major dec­o­ra­tions in the large ceme­ter­ies, but the most impor­tant acknowl­edg­ment of this holy hol­i­day takes place at the indi­vid­ual altars in each home.

For the Zapotec peo­ple, the altar is the focal point in their home. All dur­ing the year, it is adorned with pho­tos, some of Mary and Jesus, with can­dles, with vas­es of flow­ers and with oth­er objects that have spe­cial mean­ing. But on these two days, Novem­ber 1st and 2nd, the altars become more spe­cif­ic and elab­o­rate. Now, par­tic­u­lar flow­ers, includ­ing the deep red fox­glove and the bright orange and yel­low marigolds, sym­bol­ize this hol­i­day. More pho­tos are added of their loved ones who have passed on. There are plates of the spe­cial egg based bread that are in abun­dance in every mar­ket and more can­dles. Plates of nuts and fruit and spe­cial­ly pre­pared can­dies are there too, as well as a bot­tle of mescal, the tra­di­tion­al drink used to com­mem­o­rate all spe­cial events

In the evening, most of the vil­lage walks to the ceme­tery at the church, as they have been doing for cen­turies. They car­ry flow­ers and can­dles, food and drink, and kneel at the graves of their loved ones, as well as vis­it­ing the graves of their depart­ed friends. It is a shar­ing with the difunc­tos, as they are known in Span­ish, this day when they feel those spir­its have returned to be with them once again. The first day of Los Dias de los Muer­tos is ded­i­cat­ed to the mem­o­ries of the chil­dren. It is the day when they return to their fam­i­lies one more time. The sec­ond day is for all the oth­ers, which ends with the pil­grim­age to the cemetery.

Alta Gracia (Line of the Spirit dyemaker) at her Altar ©John Lamkin
Alta Gra­cia (Line of the Spir­it™ dye­mak­er) at her Altar ©John Lamkin

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In my almost 40 years of liv­ing and work­ing with the weavers and oth­er  Zapotec peo­ple of a small vil­lage out­side of Oax­a­ca, I have always been remind­ed of what­ev­er they do, whether it is cel­e­brat­ing a spe­cial hol­i­day or sim­ply being involved in an exchange of busi­ness, every­thing is infused with the spir­it. Every home, rich or poor, has as the focal point of their home, a care­ful­ly tend­ed altar. The weav­ings that may be piled up on the bench­es along the wall are also infused with this same sense of spir­it. There is no sep­a­ra­tion. It is some­thing that I think is worth remem­ber­ing when we are involved in our own busi­ness trans­ac­tions, that they are not apart from, but part of our every­day lives…..

Susan­na Starr  Octo­ber, 2010 

Cemetery - Day of the Dead ©John Lamkin
Ceme­tery — Day of the Dead ©John Lamkin
Children's Altar - Day of the Dead  ©John Lamkin
Chil­dren’s Altar — Day of the Dead ©John Lamkin
Day of the Dead Celebration - Oaxaca, Mexico - ©John Lamkin
Day of the Dead Cel­e­bra­tion — Oax­a­ca, Mex­i­co — ©John Lamkin


Our New Online Store

Nomadic - Line of the Spirit collection
Nomadic — Starr Inte­ri­ors’ own design­er col­lec­tion, Line of the Spirit™

We’re about to rein­vent our­selves (again!), with a new store­front online, fea­tur­ing our lat­est weav­ings and home décor, includ­ing Starr Inte­ri­ors’ own design­er col­lec­tion, Line of the Spir­it™, ready to grace your floors and walls. be sure to check back often (or just Sub­scribe!) to receive notices of our lat­est acqui­si­tions and spe­cial sales and events.
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