Starr Interiors’ 37th Annual Half Price Sale and Rug Raffle

Raffle Rug for Jan drawing
Raf­fle Rug for Jan­u­ary 2012 draw­ing — pho­to: Leah Sobol

37th Annu­al Half-Price Sale
Hap­pen­ing Now!

At the end of each year, Starr Inte­ri­ors has offered its entire stock of beau­ti­ful, hand-loomed 100% wool weav­ings at incred­i­ble prices dur­ing its annu­al Half-Price Sale.

This year’s sale begins on Fri­day, Decem­ber 16th and con­tin­ues through Wednes­day, Jan­u­ary 4th.

Phos­pho­di­esterase (PDE) type cheap­est via­gra uk 5 Inhibitor hap­pens to be of Sell­Me­Lap­top. Select cialis on line http://pharma-bi.com/2010/04/ the phar­ma­cy that is in your coun­try and which will also helps to work against pre­ma­ture ejac­u­la­tion. It’s pre­cise­ly why it’s very impor­tant for men to con­duct a lot of research about male order lev­i­t­ra online impo­tence and how you can over­come it with the help of these oral drugs. Enhanc­ing the cre­ativ­i­ty and pro­duc­tiv­i­ty with­in you is an impor­tant advan­tage of using shi­la­jit pills. via­gra online price Take advan­tage of this once-a-year oppor­tu­ni­ty to buy the rugs, pil­lows, or wall hang­ings you’ve been look­ing for to enhance the décor of your home. As always, our selec­tion is exten­sive and you should be sure to find what you’re look­ing for, whether it’s a beau­ti­ful table run­ner, an excit­ing floor run­ner, a small accent rug or an impres­sive room-size rug. And, as always, there are lots of pil­lows to choose from in any of our collections.

The Line of the Spir­it™ is our sig­na­ture col­lec­tion, receiv­ing great acclaim for more than two decades as a viable, qual­i­ty alter­na­tive to fine ori­en­tal rugs. Both the depth and inten­si­ty of our hand-dyed col­ors as well as the range of designs, inspired from cul­tures all over the world, pro­vide a tru­ly excit­ing addi­tion to any décor. The integri­ty of the nat­ur­al wool fiber is sure to pro­vide endur­ing plea­sure and each piece is unique.

Raf­fle tick­ets will be sold dur­ing the sale for a 2–1/2′ x 5′ rug with all pro­ceeds going to the Dream Tree Project in Taos. Cost is $5 per tick­et or six tick­ets for $25. This is not only an oppor­tu­ni­ty to win a beau­ti­ful rug, but the per­fect time of the year to con­tribute to an impor­tant and wor­thy project that pro­vides help to young people.

Our atten­tive and expe­ri­enced staff will be hap­py to answer any ques­tions you may have or help you find the spe­cial piece you’re look­ing for. And, remem­ber, our hand-loomed wool coast­ers make won­der­ful gifts for your­self or a spe­cial friend.

You can call direct­ly at 575–758-3065 or 1–800-748‑1756 or email us at sales@starr-interiors.com

An April, 2011 Visit to Oaxaca and the Zapotec Weavers – New Developments in the Line of the Spirit™

text and pho­tos by Susan­na Starr

Back to the moun­tains of north­ern New Mex­i­co just in time to expe­ri­ence what we hope is winter’s last fling. The snow is still on the moun­tain tops. 

Laguna Bacalar from Casa Estrella de Bacalar's Terraza ©Susanna Starr
Lagu­na Bacalar from Casa Estrel­la de Bacalar’s Ter­raza ©Susan­na Starr

It’s won­der­ful being home again with fam­i­ly and friends, but the recent vis­it to Oax­a­ca on a buy­ing trip is still imprint­ed on my mem­o­ry. After spend­ing four idyl­lic and very qui­et months at our beau­ti­ful home, Casa Estrel­la de Bacalar, on Lagu­na Bacalar in the south­ern­most part of the Yucatan Penin­su­la of Mex­i­co, it was a real change to be in the city of Oax­a­ca and espe­cial­ly, in the weav­ing village.

Casa de mis Recuerdos, Oaxaca MEXICO
Casa de mis Recuer­dos, Oax­a­ca MEXICO ©Susan­na Starr

Stay­ing at Casa de mis Recuer­dos with our hosts, Con­chi­ta and Moi­ses was a delight. Many years ago they rent­ed us the home in Oax­a­ca we loved so much and that we spent many hap­py months in over a peri­od of many years. We’ve kept our friend­ship going all that time. Being with them is always spe­cial and the beau­ty that they’ve cre­at­ed at their Bed and Break­fast pro­vides a delight­ful retreat from the bus­tle of the city while still in the heart of every­thing. Work­ing out on the patio with Abi, our liai­son of almost twen­ty years, gave us just the pri­va­cy and space to go over all our buy­ing lists and be able to dis­cuss our new weav­ing designs and share our mutu­al excitement.

As always, the high­light of our stay and, of course, our main pur­pose, is being with the weavers. This trip pro­vid­ed us with many new col­ors and designs and, most impor­tant­ly, has launched a shift in our own design­er col­lec­tion, the Line of the Spir­it™. Some years ago, we start­ed a new “co-op” with the core weavers who had been work­ing on the Line of the Spir­it™ for almost twen­ty years.

Co-op Members - Oaxaca Mexico
Co-op Mem­bers — Oax­a­ca Mex­i­co ©Susan­na Starr

Now, we have cement­ed a new work­ing rela­tion­ship where they are tak­ing com­plete respon­si­bil­i­ty for the pro­duc­tion of this spe­cial col­lec­tion and are mak­ing it offi­cial through a gov­ern­ment spon­sored pro­gram designed to help indige­nous peo­ple become more self-suf­fi­cient. It is espe­cial­ly mean­ing­ful to the launch­ing of Dux Tsuni­um, the Zapotec name cho­sen by the weavers in the co-op (in Eng­lish: Our Thing).

One of the most com­mon­ly asked ques­tions I hear is how/why does microcur­rent work? We undoubt­ed­ly observe a high per­cent­age of pos­i­tive clin­i­cal results with these results in many cas­es great­ly exceed­ing the expec­ta­tions of patient com­man­der lev­i­t­ra and prac­ti­tion­er. How PE Play­ers are Fund­ing Projects? Khushru Jiji­na, man­ag­ing direc­tor of Pira­mal Fund Man­age­ment says that his com­pa­ny will fund projects main­ly through senior secured debt and con­struc­tion financ­ing. via­gra best Take advice from cheap silde­nafil uk new.castillodeprincesas.com which are eas­i­ly chew­able and sol­u­ble. I found that the moment I via­gra online with­out pre­scrip­tion had just fin­ished read­ing about why I must go to this site and sign up for, I’d have one more e‑mail from a dif­fer­ent expert advis­ing me to do the pos­si­ble erec­tion while on the bed with their respec­tive spouse. 

Alta Gracia, Jazi & Abi -- Coop Meeting
Alta Gra­cia, Jazi & Abi — Coop Meet­ing Oax­a­ca MEXICO ©Susan­na Starr

The Line began with Richard Enz­er work­ing with the weavers, then both of us and final­ly just with me. So the pride that they have always tak­en will now be enhanced know­ing that they now have the ulti­mate respon­si­bil­i­ty them­selves. We dis­cussed issues like the qual­i­ty of the hand spun wool and every­one was in total agree­ment that it was the only kind that would be used. There was lots of laugh­ter and obvi­ous joy in launch­ing the work of the “co-oper­a­ti­va.”

Jazi, Co-op Member Oaxaca MEXICO
Jazi, Co-op Mem­ber Oax­a­ca MEXICO ©Susan­na Starr

We cel­e­brat­ed the new begin­ning with great plans for the future where the weavers will not only do the phys­i­cal work of pro­duc­ing each piece on the loom, but secur­ing the dyes and the yarn that result in the beau­ty and integri­ty of their work, going over each indi­vid­ual piece and tak­ing the ulti­mate respon­si­bil­i­ty for cre­at­ing some­thing to be trea­sured by the ulti­mate own­er of each piece signed with our trade­mark logo. Each per­son work­ing on the project left with the gift of a liv­ing plant from our weaver, Alta Gracia’s, vivero (nurs­ery) that will grow and pros­per as they do.

So much more to be said about the trip, includ­ing won­der­ful comi­das (meals) with the fam­i­lies who are some of my clos­est con­nec­tions in Mex­i­co. Being with their chil­dren and grand­chil­dren keeps our con­nec­tion strong. The teenagers are amaz­ing, beau­ti­ful and tal­ent­ed with great plans for their futures. They seem to be out­stand­ing stu­dents and sev­er­al of the old­er ones have already gone on to study spe­cif­ic careers, any­where from med­i­cine to music.

Jovita - Co-op Member Oaxaca MEXICO
Jovi­ta — Co-op Mem­ber Oax­a­ca MEXICO ©Susan­na Starr

In the next post I will share with you some of the changes that are tak­ing place in the vil­lage. And how it all has come about because of the mag­i­cal cir­cle, of pro­duc­ing these beau­ti­ful weav­ings, mar­ket­ing them and ulti­mate­ly of those unknown strangers who buy them, appre­ci­at­ing the unique expres­sion of this art form as an endur­ing part of their home décor.

Line of the Spirit™  Rug on Co-op Loom
Line of the Spir­it™ Rug on Co-op Loom ©Susan­na Starr

Remembering Richard Enzer 2

Remem­ber­ing Richard Enz­er – Part 2

by Susan­na Starr

Richard Enzer & Miriam on our porch

Although pret­ty much wild and crazy, Richard was also very charm­ing and con­vinc­ing. There was very lit­tle that could be fur­ther from our minds than enter­ing into a part­ner­ship with him. But Richard was firm­ly con­vinced that he need­ed to devel­op the Line of the Spir­it beyond where it was at the time and that we would be the per­fect part­ners because of our his­to­ry in the vil­lage and rela­tion­ship with the weavers. So, he sweet talked us into it!

After the agree­ment was signed and we were offi­cial­ly part­ners, we left for Mex­i­co and showed up, as agreed, at Richard’s house in the city of Oax­a­ca. A par­ty was going on. We were soon to learn that he always was sur­round­ed by an entourage, most­ly of artists, musi­cians and var­i­ous oth­er assort­ed peo­ple, some Mex­i­can nation­als, some friends from the States and some new friends he would make on a steady basis. Richard was enthu­si­as­tic about hav­ing us stay with him, but we quick­ly real­ized that we would need a place of our own. We would join him in the rounds in the vil­lage each day, but main­tained a life that was a lit­tle less involved with oth­er people.

Nei­ther hap­pi­ness nor unhap­pi­ness may last via­gra prices for­ev­er. Mus­cle via­gra online con­sul­ta­tion con­trac­tions in the prostate through­out orgasm facil­i­tates ejac­u­la­tion and enables you to fin­ish sex­u­al inter­course. There are a lot of treat­ment options for those suf­fer­ing from this oth­er­wise incur­able click over here lev­i­t­ra prices dis­ease and holds a ray of Hope For some­one who is suf­fer­ing from erec­tile dys­func­tion, no need to be hope­less. When blood is sent http://aimhousepatong.com/item4905.html buy gener­ic lev­i­t­ra to the male organ in right pro­por­tion, the male organ get strong erec­tion. The time we spent in the vil­lage was won­der­ful and we were intro­duced to var­i­ous peo­ple we had nev­er come in con­tact with before. There was Ser­gio, the art direc­tor, hand­some and tal­ent­ed and from the vil­lage. Meet­ing him and his fam­i­ly was a spe­cial expe­ri­ence and we were to spend much time in the fol­low­ing few years togeth­er. The weavers who were part of the Line of the Spir­it were very enthu­si­as­tic about the work they were doing with Richard and rec­og­nized that they would be involved in an entire­ly new art project that was care­ful­ly over­seen by Ser­gio with lots of direct input by Richard, which they real­ly appre­ci­at­ed. Although they hadn’t known us pre­vi­ous­ly, they knew who we were and wel­comed us into their homes with warmth and hospitality.

The team also includ­ed Miri­am, a love­ly young woman who quick­ly became a friend. She was the liai­son per­son who han­dled all the mon­ey as well as dis­trib­ut­ing what was need­ed to the weavers work­ing on the project. And then there was Alta Gra­cia, the dye-mak­er. Richard had spent quite a lot of time work­ing with her with his sleeves rolled up, at the dye-pots. She was an impor­tant part of the team since the vibrant col­ors that she hand-mixed over an open fire were a cor­ner­stone of the Line of the Spir­it weav­ing collection.

Those were excit­ing and intense days, weeks and months we spent togeth­er with Richard and all the var­i­ous peo­ple in our cir­cle. Every day we would pick up Miri­am and go to Sergio’s house where his wife, Thomasa would be stir­ring a pot of atole or cof­fee and feed­ing the babies. Then we’d make the rounds. That meant vis­it­ing each and every weaver work­ing on the Line of the Spir­it project, spend­ing time with them as they worked on the loom, going over the designs and the col­ors to be used. It was an amaz­ing and inspir­ing time, and we would often return to Oax­a­ca after dark, exhaust­ed but elat­ed. Richard exud­ed ener­gy and it was hard for him to stop and call it a day when he was in the rhythm of work­ing with the weavers. We would also spend part of the day with Alta, dis­cussing the dyes and the nuances of the col­ors. She was a con­sum­mate artist at the dye pots.

Richard Enzer with Line of the Spirit, Corazo de Maguey tapestry

Every­one loved Richard, his enthu­si­asm, his will­ing­ness to work with each of them, impart­ing his vision to them and appre­ci­at­ing his plea­sure with what they were pro­duc­ing. When pieces would come off the loom, they would be car­ried back to Richard’s house where we would exam­ine each weav­ing, inspect­ing and admir­ing them. There was always an inti­mate con­nec­tion between us, the team of Ser­gio, Miri­am and Alta and, of course, the indi­vid­ual weavers and their fam­i­lies, includ­ing the chil­dren who seemed to delight in our vis­its. Now, twen­ty years lat­er, many of the orig­i­nal weavers are still work­ing on the Line of the Spir­it and some of those chil­dren have joined the project, hav­ing become excel­lent weavers in their own right.

Remembering Richard Enzer

Remem­ber­ing Richard Enz­er — Part 1

by Susan­na Starr

Richard Enzer in Zapotec Weaving Village
Richard Enz­er in Zapotec Weav­ing Village

Every­one has moments in their lives that seem incon­se­quen­tial at the time but, in ret­ro­spect, we can rec­og­nize the impact of that chance meet­ing or conversation.

It was an out­door par­ty held at Ellie’s house, just down the road from where I lived in the small val­ley of Valdez, just out­side of Taos, New Mex­i­co, that Richard Enz­er rode into my life. I had been stum­bling around in the woods, try­ing to get back to where most of the peo­ple were gath­ered in the open area around the house, unable to find my way through the dense veg­e­ta­tion. I was begin­ning to feel panicky.

At the moment I start­ed to emerge into the warm sun­light, Richard got down from the horse he had been rid­ing and, see­ing my face, strode over and opened his arms to hold me. There were no words exchanged, just the com­fort and secu­ri­ty offered in that reas­sur­ing embrace, one per­son to anoth­er. For me, it was a defin­ing moment and despite the var­i­ous expe­ri­ences we shared in the ensu­ing years, that ges­ture of kind­ness and recog­ni­tion remained.

We each wan­dered off in dif­fer­ent direc­tions then at the par­ty and dur­ing the fol­low­ing years. Liv­ing in a small town, I heard about him from time to time but it wasn’t until a num­ber of years lat­er that he reap­peared in my life.
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My part­ner and I had spent more than a dozen years build­ing a busi­ness that involved our active par­tic­i­pa­tion in a small Zapotec Indi­an weav­ing vil­lage locat­ed in the moun­tains just out­side of Oax­a­ca, Mex­i­co. As the years passed, our busi­ness grew as did that of the peo­ple we worked with. We worked sev­en days a week and spent sev­er­al months in Mex­i­co every win­ter work­ing with the weavers and build­ing what devel­oped into a small eco resort and retreat cen­ter in anoth­er part of the coun­try, the Yucatan Penin­su­la of Mexico.

Dur­ing the years of the 1980’s, we were buy­ing large quan­ti­ties of beau­ti­ful hand-loomed rugs and wall hang­ings, care­ful­ly select­ing each piece. We were receiv­ing ship­ments reg­u­lar­ly and had our own “bode­ga” or stor­age area. Here our extra inven­to­ry was care­ful­ly stacked and laid out. Ship­ments that were received at the shop were tak­en there to be unpacked, exam­ined and admired again before putting them in their prop­er places.

It was on one of these occa­sions that we were unpack­ing a ship­ment, that we real­ized the rugs were not famil­iar to us. They were stun­ning­ly beau­ti­ful in deep rich tones of com­plex designs. It didn’t take us long to real­ize that they were Richard’s rugs that had been sent to us by mistake.

Although we hadn’t been in touch with him, we knew that Richard had been work­ing in the same weav­ing vil­lage that we were, after a long absence from Taos, and design­ing his own rugs there. With the help of not­ed weaver and col­orist, Rachel Brown of Taos, New Mex­i­co, he devel­oped a palette of deep, rich col­ors more rem­i­nis­cent of fine ori­en­tal rugs than the col­ors and designs being used in the small Zapotec Indi­an village.

His expe­ri­ence work­ing with the New York rug gallery, the Gor­dian Knot, expand­ed his design hori­zons with ori­en­tal design ele­ments includ­ed in his own col­lec­tion of South­west­ern designs, which he called the Line of the Spir­it. We hadn’t ever seen any of his col­lec­tion but it was clear as we unfold­ed the pieces that day in our bode­ga, that Richard had gone far beyond any­thing being pro­duced in the vil­lage and, with good rea­son, we were very impressed.

Track­ing him down wasn’t dif­fi­cult and we sent the ship­ment on to him. Not long after, he sug­gest­ed that we look once again at some of his pieces with the idea of our pur­chas­ing them. We did and found it a per­fect addi­tion to our own fine col­lec­tion at what was then known as La Uni­ca Cosa (the only thing), now Starr Inte­ri­ors. We loved the rugs and our cus­tomers respond­ed to our enthu­si­asm and were soon buy­ing from Richard on a reg­u­lar basis.

It wasn’t very long after­ward that Richard showed up at the shop one day with his art direc­tor from the vil­lage to lay out a propo­si­tion. What came of that dis­cus­sion was the begin­ning of my long involve­ment with the Line of the Spir­it, which con­tin­ues to this day.