This Year’s Buying Trip to the Village and Mucho Mas

by Susan­na Starr

Hav­ing just returned from a vis­it to the weav­ing vil­lage, the images are strong in my mind. For some time my fam­i­ly of three grown chil­dren have been talk­ing about get­ting togeth­er in Oax­a­ca when we did our next buy­ing trip. Although they’ve come down to the weav­ing vil­lage indi­vid­u­al­ly as chil­dren and young adults for many decades, this was the first time they came down togeth­er. At this point in their lives, work and time are dif­fi­cult to come by, so we start­ed mak­ing arrange­ments, sched­ul­ing the vis­it and not­ing it into their cal­en­dars, many months pri­or to the antic­i­pat­ed trip.

Amy, Roy and Mirabai in front of Tlamanalli Restaurant
Amy, Roy and Mirabai in front of Tla­manal­li Restaurant

Our Interwoven Lives with the Zapotec Weavers: An Odyssey of Love

The Zapotec Indi­an cul­ture is a rich one, with many thou­sands of years of endur­ing tra­di­tions. Of all the tra­di­tions, fam­i­ly is prob­a­bly the most impor­tant of the under­ly­ing struc­ture of this ancient cul­ture. My part­ner, John Lamkin, and I had recent­ly pub­lished a beau­ti­ful book called Our Inter­wo­ven Lives with the Zapotec Weavers: An Odyssey of Love (sales@Starr-Interiors.com) which tells the sto­ry of my more than forty years of work­ing with the same fam­i­lies in the vil­lage. John’s beau­ti­ful pho­tographs accom­pa­ny that jour­ney. In it, I trace three gen­er­a­tions of fam­i­lies that I’ve been so close to, as well as pho­tographs of oth­er weavers I’ve been work­ing with, espe­cial­ly on the Line of the Spir­it™, a spe­cial design­er col­lec­tion that has been an impor­tant part of what we do for more than twen­ty-five years.

Roy enjoying tortilla fresh from the comal Rosario, husband Faustino, Amy, Roy and Mirabai.
Roy enjoy­ing tor­tilla fresh from the comal
Rosario, hus­band Fausti­no, Amy, Roy and Mirabai.

Hav­ing Mirabai, Amy and Roy accom­pa­ny­ing us to vis­it each of the weav­ing fam­i­lies was not only impor­tant to the fam­i­lies, but to our fam­i­ly as well. When Roy and Rosario Men­doza met again,  thir­ty years had passed since they both were liv­ing in the Men­doza house in Oax­a­ca. but there was no prob­lem in rec­og­niz­ing each oth­er. Mirabai and Amy were down more recent­ly, some­times with their own chil­dren, but now there were not just two gen­er­a­tions, but three. As close as I am to the orig­i­nal fam­i­lies and their grown chil­dren, it’s this third gen­er­a­tion, the same age as my own grand­chil­dren, that are mov­ing beyond the life they were born into, while still hon­or­ing and prac­tic­ing the cul­tur­al val­ues that have con­tin­ued for so many gen­er­a­tions before them.

Armando in front of special "Tree of Life" which we purchased
Arman­do in front of spe­cial “Tree of Life” which we purchased

Now, through the hard work of their grand­par­ents and par­ents, they have been afford­ed edu­ca­tion­al oppor­tu­ni­ties nev­er before avail­able to pre­ced­ing gen­er­a­tions. Although many of the young peo­ple of this age are still weav­ing, those who have been giv­en the oppor­tu­ni­ties to study at uni­ver­si­ties are con­tin­u­ing on to become doc­tors, den­tists, and study­ing for oth­er professions.

I feel as proud of their accom­plish­ments as I do those of my own grand­chil­dren. The ties we have are strong ones and hav­ing our fam­i­lies togeth­er dur­ing this time was evi­dence of the warmth and friend­ship that goes far beyond just a work­ing rela­tion­ship. Liv­ing in the vil­lage, wak­ing up to the sounds, vis­it­ing the mar­ket to buy our flow­ers and fresh pro­duce, vis­it­ing the fam­i­lies we work with, hav­ing lunch at El Des­can­so and at Tier­ra Antigua with the Montaño fam­i­lies was joyful…and memorable.

The Montaños at El Descanso
The Mon­taños at El Descanso

Also mem­o­rable, was the evening we spent at the home of our good friends, Flo­renti­no and Eloisa Gutier­rez. Their son, Juan Cristo­bal, who stud­ied audio engi­neer­ing in Cal­i­for­nia, has put togeth­er a band and at Mirabai’s urg­ing, decid­ed to per­form a con­cert for us. It was held in their spa­cious court­yard, with lux­u­ri­ant flow­ers and plants pro­vid­ing the per­fect back­drop for the con­cert. And, the younger Fidel Mon­taño was the lead singer. Writ­ing their own music and lyrics and accom­pa­nied by a few oth­er mem­bers of the band, the con­cert was outstanding.

Juan Cristobal, Fidel and their band, Km 1
Juan Cristo­bal, Fidel and their band, Km 1
Roy holding Alta's grandson Pablito
Roy hold­ing Alta’s grand­son Pablito

We spent impor­tant time with Alta Gra­cia, the dye­mak­er for Line of the Spir­it™ since its incep­tion and with her son Jaci and his wife Soledad. We vis­it­ed with the wife of Felipe Lazaro who passed away recent­ly and bought some of her spe­cial­ties of roast­ed pump­kin seed bars, ama­ranth bars and light wafers and exchanged warm embraces. We vis­it­ed with Maria and Eloisa Bautista whose recent­ly mar­ried son, Jacobo now is fol­low­ing in the foot­steps of his par­ents who have been part of the Line of the Spir­it™ team since it began, more than twen­ty-five years ago when he was just a baby. Our fam­i­ly meet­ing with Jovi­ta and her broth­er, Valenti­no and his wife, was affir­ma­tion of the ongo­ing rela­tion­ship of our fam­i­lies, as it was with all the Line of the Spir­it™ weavers.

One just needs to squeeze the sachet to con­sume it. var­de­nafil sale you could try this out The fol­low­ing are some of the drugs that are avail­able in the mar­ket cialis 10mg cana­da nichestlouis.com are too much con­cerned about their body weight and size exten­sive­ly use FitO­Fat cap­sules. It increas­es ener­gy lev­els and helps to pro­long the love act cialis sale nichestlouis.com for suf­fi­cient dura­tion to enjoy enhanced sex­u­al plea­sure with your female. What is even worse is the man is throw­ing away a per­fect­ly healthy rela­tion­ship as of stub­born­ness. hop over to these guys on line levitra 

Maria & Eliseo Bautista with Susanna and Jazi
Maria & Eliseo Bautista with Susan­na and Jacinto

Hav­ing lunch at Tla­manal­li, the acclaimed restau­rant of world-famous chef, Abi­gail Men­doza, and her sis­ters, was anoth­er spe­cial event. In the kitchen, we cried togeth­er with their moth­er, Dona Clara, who lost her son Arnul­fo, one of the most tal­ent­ed artists the vil­lage has ever known and one of our close friends. In the beau­ti­ful patio, we enjoyed some of their famous dish­es at the tra­di­tion­al­ly dec­o­rat­ed tables. The embraces we exchanged were heartfelt.

Our family with wife of recently deceased weaver Felipe Lazaro
Our fam­i­ly with wife of recent­ly deceased weaver Felipe Lazaro
Our family looks on as art director, Jacinto Morales, discusses technical aspect with Juan Luis and his wife Paula
Our fam­i­ly looks on as art direc­tor, Jac­in­to Morales, dis­cuss­es tech­ni­cal aspect with Juan Luis and his wife Paula

 

 

 

 

 

 

 

 

 

Yes, this was a mem­o­rable vis­it, a tes­ti­mo­ny to what busi­ness can real­ly bring as its reward. We have all pros­pered and its always a joy to see how the entire vil­lage has also pros­pered over these decades. But, always, its the per­son­al rela­tion­ships, the warmth and gen­uine car­ing, the being part of an extend­ed fam­i­ly that is the real bonus. This is as much a part of our con­nec­tion as any­thing else that we con­tin­ue to be involved in togeth­er. The weav­ings they pro­duce and that we sell to our clients who pro­vide a home for them where they will be enjoyed and appre­ci­at­ed com­pletes the cir­cle. But the heart con­nec­tion is what can­not be seen, just felt, and what endures.

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Remembering Richard Enzer — Final Part

Remem­ber­ing Richard Enz­er – Part 3 — Final

by Susan­na Starr

Read Part 1 Read Part 2

The fol­low­ing year, our work sched­ule togeth­er with Richard con­tin­ued and now he was liv­ing in anoth­er house with much more room, while we con­tin­ued liv­ing in the house that would be our Oax­a­ca home for many more years. There were still par­ties and art open­ings and din­ners out at places like El Sol y La Luna which was a restau­rant that fea­tured local musi­cians as well as art exhibits on the adobe walls. Food was served in the indoor cov­ered patio and being with Richard meant being with lots of peo­ple. He always seemed to have the aura of a rock star” and the years we spent togeth­er always seemed filled with ongo­ing adven­ture. Com­plete­ly devot­ed to the work of the Line of the Spir­it, being in the city was anoth­er thing and the cir­cle of friends that we were con­stant­ly involved with was always a col­or­ful one.

Richard Enzer & Susanna Starr in Starr Interior's Courtyard, Taos, New Mexico
Richard Enz­er & Susan­na Starr in Starr Inte­ri­or’s Court­yard, Taos, New Mexico

It was dur­ing these years that we formed the last­ing friend­ship with Mitzi Linn who was Richard’s “spir­i­tu­al advis­er.” It was also then that we were intro­duced to Domeni­co and his friend, both of them fair­ly recent­ly arrived from Italy. They cooked fab­u­lous pas­ta din­ners at Richard’s house, a pre­lude to the restau­rants that Domeni­co would own and oper­ate after he mar­ried a local Oax­a­ca girl, as beau­ti­ful as he was hand­some. Domeni­co is now the own­er of Piz­za Rus­ti­ca, a won­der­ful and well known restau­rant housed in one of the old con­vert­ed Oax­a­ca mansions.
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Miri­am got mar­ried to an archi­tect that she met through the Line of the Spir­it and left to raise a fam­i­ly. Abi took her place and I work with her still. She is my very close friend. Although Ser­gio moved on, we now have anoth­er art direc­tor who was just a child when we began work­ing togeth­er with Richard. Jace is Alta Gracia’s son, which makes it very con­ve­nient since he’s work­ing direct­ly with his moth­er, our extra­or­di­nary dye-mak­er. He and his fam­i­ly are all still very involved in pro­duc­ing spe­cial pieces for the Line of the Spir­it and Alta’s gar­dens are as mag­nif­i­cent as the col­ors she pro­duces for the yarns that hang out to dry in the strong Mex­i­can sunlight.

About five years ago we decid­ed to change the name of our gallery from La Uni­ca Cosa which we had for about thir­ty years, to our new name of Starr Inte­ri­ors. We had a par­ty to cel­e­brate and much to my sur­prise and great plea­sure Richard came. I cried, stirred by an emo­tion I didn’t know I had. He had been sick, I knew, and had sur­vived a kid­ney trans­plant. He looked old­er, but so did I. I flashed back to one of the first open­ings we had for the Line of the Spir­it short­ly after we formed our part­ner­ship. Richard bought me a very spe­cial huip­il from one of the sev­en regions of Oax­a­ca which I wore to that open­ing. It had been a num­ber of years since we had seen each oth­er, with Richard mov­ing onto the Roman­ian project after our part­ner­ship end­ed, and my con­tin­u­ing with the Oax­a­ca project. It was emo­tion­al for both of us and his smile was a reminder of many times we had work­ing togeth­er in those ear­ly years of the nine­teen nineties.

I think, too, of the time when the tele­phone rang one evening and it was Richard. I knew imme­di­ate­ly from his voice that some­thing had hap­pened but wasn’t pre­pared for the news that his son, Michael, had just been killed in a motor­cy­cle acci­dent. Michael was spend­ing time with his Dad in Oax­a­ca and it was Richard’s hope that his involve­ment would con­tin­ue. But that was not to be. It was a dev­as­ta­tion that only a par­ent could know. Unfor­tu­nate­ly, I knew from first­hand expe­ri­ence, hav­ing lost my own son, when he was younger than Michael, a num­ber of years earlier.

Now Richard, too, is gone, hav­ing passed away last year. Hard liv­ing took a toll, I’m sure, but it was the kind of life he chose and I think he enjoyed it “to the max.” There were dif­fi­cult moments but they always passed and what­ev­er hap­pened that appeared dis­rup­tive was always resolved. But his genius lives on in the con­tin­u­a­tion and flour­ish­ing of the Line of the Spir­it. Short­ly after we became part­ners, I rec­og­nized the need for a trade­mark which remains the iden­ti­fi­ca­tion for this stun­ning body of work. Although I have gone on to intro­duce some designs and col­ors of my own, the col­lec­tion still retains his ini­tial vision.

Alta con­tin­ues to do her mag­ic with mak­ing the col­ors. Abi con­tin­ues to keep every­thing togeth­er in Oax­a­ca, Jace con­tin­ues to vis­it each weaver on the project and sup­ply them with the mate­r­i­al they need to com­plete their indi­vid­ual pieces and the fine staff at Starr Inte­ri­ors con­tin­ues to present the Line of the Spir­it col­lec­tion in the three rooms that house the col­lec­tion. We con­tin­ue to use the hand-card­ed, hand- spun wools pre­pared on a drop spin­dle at a remote Zapotec Indi­an vil­lage high up in the moun­tains. How can I men­tion that vil­lage with­out men­tion­ing their oth­er claim to fame, the mak­ing of mescal in home-made stills. Which brings up the mem­o­ries of going there with Richard to buy wool and sam­pling each of the offer­ings of spe­cial mescal from the var­i­ous hous­es in that lit­tle vil­lage. What an adven­ture! That, too, is part of remem­ber­ing Richard.

Remembering Richard Enzer 2

Remem­ber­ing Richard Enz­er – Part 2

by Susan­na Starr

Richard Enzer & Miriam on our porch

Although pret­ty much wild and crazy, Richard was also very charm­ing and con­vinc­ing. There was very lit­tle that could be fur­ther from our minds than enter­ing into a part­ner­ship with him. But Richard was firm­ly con­vinced that he need­ed to devel­op the Line of the Spir­it beyond where it was at the time and that we would be the per­fect part­ners because of our his­to­ry in the vil­lage and rela­tion­ship with the weavers. So, he sweet talked us into it!

After the agree­ment was signed and we were offi­cial­ly part­ners, we left for Mex­i­co and showed up, as agreed, at Richard’s house in the city of Oax­a­ca. A par­ty was going on. We were soon to learn that he always was sur­round­ed by an entourage, most­ly of artists, musi­cians and var­i­ous oth­er assort­ed peo­ple, some Mex­i­can nation­als, some friends from the States and some new friends he would make on a steady basis. Richard was enthu­si­as­tic about hav­ing us stay with him, but we quick­ly real­ized that we would need a place of our own. We would join him in the rounds in the vil­lage each day, but main­tained a life that was a lit­tle less involved with oth­er people.

Nei­ther hap­pi­ness nor unhap­pi­ness may last via­gra prices for­ev­er. Mus­cle via­gra online con­sul­ta­tion con­trac­tions in the prostate through­out orgasm facil­i­tates ejac­u­la­tion and enables you to fin­ish sex­u­al inter­course. There are a lot of treat­ment options for those suf­fer­ing from this oth­er­wise incur­able click over here lev­i­t­ra prices dis­ease and holds a ray of Hope For some­one who is suf­fer­ing from erec­tile dys­func­tion, no need to be hope­less. When blood is sent http://aimhousepatong.com/item4905.html buy gener­ic lev­i­t­ra to the male organ in right pro­por­tion, the male organ get strong erec­tion. The time we spent in the vil­lage was won­der­ful and we were intro­duced to var­i­ous peo­ple we had nev­er come in con­tact with before. There was Ser­gio, the art direc­tor, hand­some and tal­ent­ed and from the vil­lage. Meet­ing him and his fam­i­ly was a spe­cial expe­ri­ence and we were to spend much time in the fol­low­ing few years togeth­er. The weavers who were part of the Line of the Spir­it were very enthu­si­as­tic about the work they were doing with Richard and rec­og­nized that they would be involved in an entire­ly new art project that was care­ful­ly over­seen by Ser­gio with lots of direct input by Richard, which they real­ly appre­ci­at­ed. Although they hadn’t known us pre­vi­ous­ly, they knew who we were and wel­comed us into their homes with warmth and hospitality.

The team also includ­ed Miri­am, a love­ly young woman who quick­ly became a friend. She was the liai­son per­son who han­dled all the mon­ey as well as dis­trib­ut­ing what was need­ed to the weavers work­ing on the project. And then there was Alta Gra­cia, the dye-mak­er. Richard had spent quite a lot of time work­ing with her with his sleeves rolled up, at the dye-pots. She was an impor­tant part of the team since the vibrant col­ors that she hand-mixed over an open fire were a cor­ner­stone of the Line of the Spir­it weav­ing collection.

Those were excit­ing and intense days, weeks and months we spent togeth­er with Richard and all the var­i­ous peo­ple in our cir­cle. Every day we would pick up Miri­am and go to Sergio’s house where his wife, Thomasa would be stir­ring a pot of atole or cof­fee and feed­ing the babies. Then we’d make the rounds. That meant vis­it­ing each and every weaver work­ing on the Line of the Spir­it project, spend­ing time with them as they worked on the loom, going over the designs and the col­ors to be used. It was an amaz­ing and inspir­ing time, and we would often return to Oax­a­ca after dark, exhaust­ed but elat­ed. Richard exud­ed ener­gy and it was hard for him to stop and call it a day when he was in the rhythm of work­ing with the weavers. We would also spend part of the day with Alta, dis­cussing the dyes and the nuances of the col­ors. She was a con­sum­mate artist at the dye pots.

Richard Enzer with Line of the Spirit, Corazo de Maguey tapestry

Every­one loved Richard, his enthu­si­asm, his will­ing­ness to work with each of them, impart­ing his vision to them and appre­ci­at­ing his plea­sure with what they were pro­duc­ing. When pieces would come off the loom, they would be car­ried back to Richard’s house where we would exam­ine each weav­ing, inspect­ing and admir­ing them. There was always an inti­mate con­nec­tion between us, the team of Ser­gio, Miri­am and Alta and, of course, the indi­vid­ual weavers and their fam­i­lies, includ­ing the chil­dren who seemed to delight in our vis­its. Now, twen­ty years lat­er, many of the orig­i­nal weavers are still work­ing on the Line of the Spir­it and some of those chil­dren have joined the project, hav­ing become excel­lent weavers in their own right.