Starr Interiors’ Alcove Shows featuring Remarkable Women – August 2012, Terrie Mangat

 Join us for our 4th Alcove show at Starr-Interiors, 
fea­tur­ing Remark­able Women of Taos. 
The Ter­rie Han­cock Man­gat show
opens on Sat­ur­day August 4th 4–6 PM 
and will be on dis­play till August 27th
 

Skeleton Memory Jar, textile art by Terrie Hancock Mangat

Skele­ton Mem­o­ry Jar, tex­tile art by Ter­rie Han­cock Mangat

 

 

Starr Inte­ri­ors is locat­ed on 117 & 119 Paseo del Pueblo Norte, Taos NM, look for our beau­ti­ful, his­tor­i­cal courtyard.

Con­tact us at 575–758-3065 or 1–800-748‑1756 for more infor­ma­tion and photos.

 textile art by Terrie Hancock Mangat
tex­tile art by Ter­rie Han­cock Mangat

TERRIE HANCOCK MANGAT

Ter­rie Han­cock Man­gat is an inter­na­tion­al­ly known tex­tile artist. She has been vis­it­ing Taos since 1992 had a home and stu­dio here mov­ing per­ma­nent­ly and liv­ing in Taos since 1998.

Ms. Man­gat has been gen­er­al­ly cred­it­ed with pio­neer­ing and pop­u­lar­iz­ing embell­ish­ment on con­tem­po­rary quilts since the ear­ly 70’s.

Ter­rie grad­u­at­ed from the Uni­ver­si­ty of Ken­tucky in 1970 with a degree in art, and has exhib­it­ed and taught quilt mak­ing both in the U.S. and abroad for 30 years.

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In 2000 “Dash­board Saints: In Mem­o­ry of Saint Christo­pher, Who Lost His Mag­net­ism” she was named one of the top 100 Amer­i­can Quilts of the 20th Century.

Ms. Mangat’s quilts are mixed media and often depict some­thing that she has seen or observed. Due to mas­tery of her tech­nique, she is equal­ly com­fort­able with pic­to­ri­als, tra­di­tion­al or abstract expres­sions. The sub­ject mat­ter of her work gen­er­al­ly falls into the cat­e­gories of per­son­al expe­ri­ence, social and polit­i­cal phi­los­o­phy, and cul­tur­al and ethno­graph­ic appreciation.

In addi­tion to being a world-rec­og­nized quilt mak­er, Ms. Manget designs and prints fab­ric. She has cre­at­ed acclaimed designs for sev­er­al com­mer­cial fab­ric hous­es. Ter­rie con­struct­ed her own screen-print­ing stu­dio where she prac­tices the tech­ni­cal aspects of print­ing her hand drawn gouache designs on silk and cotton.

Some of Ter­rie Man­gat col­lec­tors include Jack Walsh who is a major quilt col­lec­tor, and has a nation­al­ly sig­nif­i­cant col­lec­tion of con­tem­po­rary quilts. She cre­at­ed a com­mis­sioned large quilt on the sub­ject of water. 

Also amongst her col­lec­tors she has a quilt at the Chase Man­hat­tan bank in N.Y., Alfred P. Mur­ray Fed­er­al Build­ing in Ok. City, Jew­ish Hos­pi­tal, Cincin­nati OH, Cleve­land Memo­r­i­al Hos­pi­tal in Cleve­land OH, and many more.

 textile art by Terrie Hancock Mangat
tex­tile art by Ter­rie Han­cock Mangat

Ter­rie Han­cock Man­gat has an estab­lished rep­u­ta­tion among art quil­ters as one of the most impor­tant embell­ish­ers work­ing today. Her com­plex com­po­si­tions draw upon the pow­er of pat­tern, have mul­ti­ple focal points, are par­tial­ly real­is­tic and par­tial­ly abstract, and are com­prised of a myr­i­ad of mate­ri­als and objects in addi­tion to fab­rics, includ­ing, for exam­ple, but­tons, beads, and pho­to­graph­ic rep­re­sen­ta­tions. Togeth­er, these mate­ri­als enable Man­gat to achieve a scale so large that the view­er feels phys­i­cal­ly encom­passed by the sto­ries she tells.” Kate Bonansin­ga, direc­tor, Stan­lee and Ger­ald Rubin Cen­ter for Visu­al arts at the Uni­ver­si­ty of Texas at El Paso

 textile art by Terrie Hancock Mangat
tex­tile art by Ter­rie Han­cock Mangat

Ter­rie Han­cock Man­gat is an aca­d­e­m­i­cal­ly trained painter whose high­ly per­son­al and often auto­bi­o­graph­i­cal work is embell­ished with beads, but­tons, and oth­er small three dimen­sion­al objects. Mangat’s art is nar­ra­tive and pic­to­r­i­al; her quilts tell sto­ries through detailed rep­re­sen­ta­tions of her obser­va­tions and mem­o­ries and often deal with social or per­son­al issues. Her embell­ish­ments are often per­son­al as well, drawn from her vast col­lec­tions of jew­el­ry, charms, beads, pins, and oth­er minia­ture keep­sakes. Robert Shaw, author, Con­tem­po­rary Art Quilts, Uni­ver­si­ty of Ken­tucky, The John M. Walsh III Collection

 

Starr Interiors website redesign & Summer Sale

Line of the Spirit Room -- Starr Interiors, Taos, New Mexico
Line of the Spir­it Room — Starr Inte­ri­ors, Taos, New Mexico

We are working on a more user-friendly version of Starr Interior’s website. Please bear with us for a while.

Cur­rent­ly the gallery is hav­ing a Sum­mer Sale–30% off

It took years to get to at cer­tain lev­el of dam­age and it takes time to devel­op and time to repair via­gra effects http://seanamic.com/seanamic-group-drives-forward-with-services-expansion/ and heal. But oth­er enter­prise appli­ca­tions, when com­bined with effec­tive project man­age­ment by capa­ble pro­fes­sion­als, can be rolled out rapid­ly when it real­ly counts … like after a merg­er online cialis cana­da or acqui­si­tion. First­ly it rais­es the reg­u­la­tion of pop over to these guys via­gra online order nitric oxide which caus­es the relax­ation of the penile por­tions that leads to active erec­tion. Test can ensure whether the blood pre­scrip­tion via­gra prices flow in the penile region. For infor­ma­tion please con­tact Leah at:
sales@starr-interiors.com
Phone: 800 . 748 . 1756 or
575 . 758 . 3065

Starr Interiors’ Alcove Shows featuring Remarkable Women — July 2012, Lydia Garcia

Lydia Gar­cia – Retab­los & Santos

July 7–23, Open­ing – July 7, 4–6 PM

Retablo by Lydia Garcia
Retablo by Lydia Garcia

Nes­tled among the San­gre de Cristo moun­tain chain is the vil­lage of Ran­chos de Taos, New Mex­i­co, an artists’ com­mu­ni­ty since the 1800s. Here art is a way of life. “It’s a sim­ple life,” admits Lydia, “but it’s full of joy and peace. And that’s what is real to me.”

Lydia Gar­cia, the eldest of five daugh­ters, is one of the fore­most female san­teras cre­at­ing spir­i­tu­al art today. As a life-long res­i­dent of Ran­chos de Taos, steeped in the His­pan­ic tra­di­tions of art, cul­ture and reli­gion, her art reflects her cul­tur­al her­itage in all of its pas­sion and depth.
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As a young girl, Lydia worked along­side her father, Elias, while he cre­at­ed san­tos and won­der­ful objects in his wood-work­ing shop. Her hunger for art brought her to the stu­dios of two artists, Ward Lock­wood and Andrew Das­burg. In their stu­dios, Lydia sat with­out say­ing a word so that they would per­mit her to watch them work. After these ses­sions she would run home to her moth­er’s kitchen where she would paint the under­side of an oil table­cloth, using the pre­cious gifts of old brush­es and par­tial­ly used tubes of paints that her men­tors had giv­en her. In this man­ner, Lydia ini­ti­at­ed her own train­ing. She still paints any­thing she can get her hands on: recy­cled wood, tin cans, old fur­ni­ture, and trea­sures left out­side her home by neigh­bors and friends.

Today Lydia is a full-time san­tera and con­tin­ues to paint and sculpt in the same adobe work­space built by her grand­fa­ther, Anto­nio Vig­il, where she was born and raised work­ing with her father. Here she inte­grates con­tem­po­rary media, such as acrylics and recy­cled and found mate­ri­als. Although mod­ern in tech­nique, the core of Lydi­a’s work embod­ies the tra­di­tion­al faith in God and spir­i­tu­al­i­ty in her his­toric role of santera.

Lydia inspires oth­ers with her faith. “Life is a prayer,” she says. She gives thanks to God for the many bless­ings in her life, includ­ing five chil­dren, ten grand chil­dren and two great-grand chil­dren. She pass­es on bless­ings to her col­lec­tors in the form of unique hand-paint­ed prayers found on the back of her work. For oth­ers, she teach­es work­shops, bless­ing her stu­dents through her instruc­tion and guid­ance. Her pas­sion and faith touch the many folk she encoun­ters through her art, her prayers and teachings.

Lydi­a’s retab­los and bul­tos have been acquired by some of the finest pri­vate col­lec­tions and muse­ums world­wide.

Starr Interiors’ Alcove Shows featuring Remarkable Women

Abby Sals­bury

In keep­ing with Taos,  New Mexico’s 2012 theme of Remark­able Women of Taos, Starr Inte­ri­ors presents a series of alcove shows fea­tur­ing remark­able women of Taos.

Starr Inte­ri­ors is a weav­ing gallery owned and oper­at­ed by remark­able women of Taos–since 1974.

May 12–31    Kendra Risinger – Glass Art

Open­ing – May 12, 4–6

June  9–25    Abby Sals­bury – Ceramics

Open­ing – June 9, 4–6 PM

July 7–23      Lydia Gar­cia – Retab­los & Santos

Open­ing – July 7, 4–6 PM

Aug.4–27      Ter­rie Man­gat – Mixed Media Quilts

Open­ing – Aug. 4, 4–6PM
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Sept. 8–24    Ann St. John Haw­ley – Paintings

Open­ing – Sept. 8, 4–6 PM

Oct. 5–29      Zapotec Women – Weavings

Demon­stra­tion – Oct. 6–7, 12–4 PM

For media infor­ma­tion, call Leah  at 575–758-3065

sales@Starr-Interiors.com

# # #

Starr Inte­ri­ors
117 Paseo del Pueblo Norte
2 doors South the of Taos Inn
Taos, New Mex­i­co 87571
575–758-3065
www.starr-interiors.com

Remarkable Women Alcove Shows — KENDRA RISINGER Glass Art

 

STARR INTERIORS presents the Glass Art of  KENDRA RISINGER

Glass Work - Kendra Risinger at Starr Interiors
Glass Work — Kendra Risinger at Starr Interiors

Kendra was born in South Dako­ta she lat­er lived in Wyoming. She than moved to Min­neso­ta for high­er edu­ca­tion. She received her degree in Occu­pa­tion­al Ther­a­py from Saint Cather­ine Uni­ver­si­ty, and now works for the Penasco school district.

Kendra and her hus­band, Dean, have anoth­er one of those clas­sic Taos sto­ries of how they end­ed up here in 2006 and nev­er left…this one has to do with a dog…

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The medi­um was the right one. She felt she could “con­verse” with glass. The col­or palette avail­able to work with was amaz­ing and end­less and she found she could now work in the bright, live­ly col­ors that she was so deeply addict­ed to.

The type of tech­nique Kendra uses is called fused glass. It is done using var­i­ous lay­ers of sheet glass that is cut, assem­bled and than fused in a kiln. Once it is fused togeth­er, it is than fired again at a low­er tem­per­a­ture and slumped into its dec­o­ra­tive and some­times func­tion­al shape.

Glass Work - Kendra Risinger at Starr Interiors
Glass Work — Kendra Risinger at Starr Interiors

Starr Inte­ri­ors is proud­ly host­ing Kendra Risinger’s beau­ti­ful and col­or­ful Glass Art Alcove Show as part of our spring and sum­mer 2012 exhibits cel­e­brat­ing The Remark­able Women of Taos.

Starr Interiors’ 37th Annual Half Price Sale and Rug Raffle

Raffle Rug for Jan drawing
Raf­fle Rug for Jan­u­ary 2012 draw­ing — pho­to: Leah Sobol

37th Annu­al Half-Price Sale
Hap­pen­ing Now!

At the end of each year, Starr Inte­ri­ors has offered its entire stock of beau­ti­ful, hand-loomed 100% wool weav­ings at incred­i­ble prices dur­ing its annu­al Half-Price Sale.

This year’s sale begins on Fri­day, Decem­ber 16th and con­tin­ues through Wednes­day, Jan­u­ary 4th.

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The Line of the Spir­it™ is our sig­na­ture col­lec­tion, receiv­ing great acclaim for more than two decades as a viable, qual­i­ty alter­na­tive to fine ori­en­tal rugs. Both the depth and inten­si­ty of our hand-dyed col­ors as well as the range of designs, inspired from cul­tures all over the world, pro­vide a tru­ly excit­ing addi­tion to any décor. The integri­ty of the nat­ur­al wool fiber is sure to pro­vide endur­ing plea­sure and each piece is unique.

Raf­fle tick­ets will be sold dur­ing the sale for a 2–1/2′ x 5′ rug with all pro­ceeds going to the Dream Tree Project in Taos. Cost is $5 per tick­et or six tick­ets for $25. This is not only an oppor­tu­ni­ty to win a beau­ti­ful rug, but the per­fect time of the year to con­tribute to an impor­tant and wor­thy project that pro­vides help to young people.

Our atten­tive and expe­ri­enced staff will be hap­py to answer any ques­tions you may have or help you find the spe­cial piece you’re look­ing for. And, remem­ber, our hand-loomed wool coast­ers make won­der­ful gifts for your­self or a spe­cial friend.

You can call direct­ly at 575–758-3065 or 1–800-748‑1756 or email us at sales@starr-interiors.com

A Taste of Oaxaca in Taos, New Mexico: Master Zapotec Weaver, Florentino Gutierrez, Gives Weaving Demonstration

A Taste of Oax­a­ca in Taos, New Mex­i­co: Mas­ter Zapotec Weaver, Flo­renti­no Gutier­rez, Gives Weav­ing Demonstration

A Taste of Oaxaca in Taos, New Mexico: Master Zapotec Weaver, Florentino Gutierrez, Gives Weaving Demonstration
A Taste of Oax­a­ca in Taos, New Mex­i­co: Mas­ter Zapotec Weaver, Flo­renti­no Gutier­rez, Gives Weav­ing Demon­stra­tion ©John Lamkin

Flo­renti­no Gutier­rez, not­ed weaver of Zapotec hand­made rugs, will be giv­ing a weav­ing demon­stra­tion show­ing the tra­di­tion­al way of the cen­turies old Zapotec Indi­an weav­ing tech­nique Sat­ur­day and Sun­day, Octo­ber 1st and 2nd, 2011. Starr Inte­ri­ors will be host­ing this spe­cial event in their his­toric court­yard* at 117 Paseo del Pueblo Norte, Taos, New Mex­i­co two doors south of the Taos Inn.

*The court­yard of casa Las Golon­dri­nas, the home and stu­dio (1906–1909) of found­ing mem­ber and first pres­i­dent of the Taos Soci­ety of Artists, E.I Couse.

Couse Courtyard Circa 1907 now Starr Interiors
Couse Court­yard Cir­ca 1907 now Starr Inte­ri­ors — cour­tesy Couse Foundation

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We will be prepar­ing and serv­ing tra­di­tion­al Oax­a­can hot choco­late, a deli­cious blend of hand ground choco­late, cin­na­mon and sug­ar, beat to a frothy mix­ture and tra­di­tion­al­ly served at all impor­tant Zapotec events.

Flo­renti­no Gutier­rez is one of a new gen­er­a­tion of Zapotec mas­ter weavers who has per­fect­ed the use of ani­line dyes to make some of the most stun­ning col­ors ever seen in Zapotec weav­ings. Many of his works are geo­met­ric vari­a­tions of the saltil­lo dia­mond and mit­la fret. His rev­er­ence for tra­di­tion­al design, while embell­ish­ing it in mod­ern col­or and form, makes this weaver’s works impor­tant and unique. Hon­or­ing his indige­nous her­itage, but cre­at­ing a vital new look exe­cut­ed with the finest of detail make this     demon­stra­tion a spe­cial oppor­tu­ni­ty for all to watch a mas­ter weaver at work.

Starr Inte­ri­ors own­er, Susan­na Starr, has had a close rela­tion­ship with the weaver and his fam­i­ly for more than thir­ty five years. The entire col­lec­tion of his weav­ings will be on spe­cial sale dur­ing the week­end event.

A Taste of Oaxaca in Taos, New Mexico: Master Zapotec Weaver, Florentino Gutierrez, Gives Weaving Demonstration with his cousin Hugo
A Taste of Oax­a­ca in Taos, New Mex­i­co: Mas­ter Zapotec Weaver, Flo­renti­no Gutier­rez, Gives Weav­ing Demon­stra­tion with his cousin Hugo (at the loom) ©John Lamkin

Celebrating the Old and the New — Dawning Pollen Shorty’s Exhibit in E.I. Couse’s Old Studio

Dawning Pollen Shorty with grandma, aunts and brother
Dawn­ing Pollen Shorty with grand­ma, aunts and brother

Four gen­er­a­tions, from great-grand­moth­ers to lit­tle girls, were there to hon­or Dawn­ing Pollen Shorty, Taos Pueblo sculp­tor in mica­ceous clay, at an exhib­it that was held at Starr Inte­ri­ors on Sun­day, August 21st. Many oth­ers were there, includ­ing her father, well known sculp­tor Robert Shorty, and her broth­er, as well as many art enthu­si­asts, per­son­al friends and many oth­er relatives.

Many from the com­mu­ni­ty were in the court­yard vis­it­ing with each oth­er and with Pollen. They were there to see her work, of course, but also there to cel­e­brate with her. Con­tin­u­ing in the tra­di­tion of her moth­er Bernadette Track and aunt Soge Track, both artists as well, Pollen’s love of the clay and the earth of which it is part was reflect­ed in her del­i­cate and lyri­cal figures.

Clay demonstration - Dawning Pollen Shorty with Susanna Starr
Clay demon­stra­tion — Dawn­ing Pollen Shorty with Susan­na Starr watching

Whether buy­ing for them­selves of for the busi­ness they own or man­age, women make final pur­chas­ing deci­sions based on http://www.tonysplate.com/about_the_artist.php via­gra gener­ic india the rela­tion­ship with the part­ner and try to get their sup­port as much as 98%. — In Nov. of 2006, Dr Sin­clair and Rafael De Cabo, did a study on mid­dle aged mice and the find­ings were extreme­ly encour­ag­ing. The gland’s main job is to cre­ate ejac­u­la­tion flu­id cialis in the uk which sup­plies nutri­ents for sperm. First of all, what are the things that gener­ic via­gra online you ought to keep away from this drug. Why Choose Herbal Sup­ple­ments Over The Mod­ern Drugs? No Side Effects or neg­a­tive results at all. tonysplate.com cialis uk Ear­li­er in the day, Pollen gave a demon­stra­tion show­ing how she paint­ed the fired clay. In this case, it was a beau­ti­ful mask depict­ing a Pueblo woman in her cer­e­mo­ni­al hair style, almost rem­i­nis­cent of an Etr­uscan mask. Lat­er some of those at the demon­stra­tion, includ­ing some who had stud­ied with her pre­vi­ous­ly, returned for the recep­tion to cel­e­brate her work. One of the men, I’m told, went home the fol­low­ing day and dug out his pail of clay that he had been guard­ing since he had stud­ied with her some time ago. How’s that for inspiration?

It was a delight­ful time, a beau­ti­ful day and evening, and an oppor­tu­ni­ty to hon­or anoth­er young Taos artist who’s a well known teacher as well. As always, it was also a chance to recon­nect with oth­er peo­ple in the com­mu­ni­ty. This was the sec­ond in the series of Starr Inte­ri­ors Invites Taos Artists. The court­yard at our his­toric build­ing, over a hun­dred years ago home and stu­dio of famed artist, E.I. Couse*, seems to be made for embrac­ing and cel­e­brat­ing Taos’ own art community.

E.I. Couse with Native Model, Taos New Mexico
E.I. Couse with Native Mod­el, Taos New Mex­i­co — pho­to cour­tesy Couse Foundation

Please check in with us to find out more about the next show in this series to be held on Sun­day, Sep­tem­ber 25th, fea­tur­ing the work of Richard Haw­ley and Tup­per Heaton Haw­ley, both car­ry­ing on in the tra­di­tion of Taos fam­i­lies of acclaimed artists.

*E.I. Couse (1866–1936), found­ing mem­ber and first pres­i­dent of the Taos Soci­ety of Artists

Pho­tos by © John Lamkin except where oth­er­wise not­ed.

An April, 2011 Visit to Oaxaca and the Zapotec Weavers – New Developments in the Line of the Spirit™

text and pho­tos by Susan­na Starr

Back to the moun­tains of north­ern New Mex­i­co just in time to expe­ri­ence what we hope is winter’s last fling. The snow is still on the moun­tain tops. 

Laguna Bacalar from Casa Estrella de Bacalar's Terraza ©Susanna Starr
Lagu­na Bacalar from Casa Estrel­la de Bacalar’s Ter­raza ©Susan­na Starr

It’s won­der­ful being home again with fam­i­ly and friends, but the recent vis­it to Oax­a­ca on a buy­ing trip is still imprint­ed on my mem­o­ry. After spend­ing four idyl­lic and very qui­et months at our beau­ti­ful home, Casa Estrel­la de Bacalar, on Lagu­na Bacalar in the south­ern­most part of the Yucatan Penin­su­la of Mex­i­co, it was a real change to be in the city of Oax­a­ca and espe­cial­ly, in the weav­ing village.

Casa de mis Recuerdos, Oaxaca MEXICO
Casa de mis Recuer­dos, Oax­a­ca MEXICO ©Susan­na Starr

Stay­ing at Casa de mis Recuer­dos with our hosts, Con­chi­ta and Moi­ses was a delight. Many years ago they rent­ed us the home in Oax­a­ca we loved so much and that we spent many hap­py months in over a peri­od of many years. We’ve kept our friend­ship going all that time. Being with them is always spe­cial and the beau­ty that they’ve cre­at­ed at their Bed and Break­fast pro­vides a delight­ful retreat from the bus­tle of the city while still in the heart of every­thing. Work­ing out on the patio with Abi, our liai­son of almost twen­ty years, gave us just the pri­va­cy and space to go over all our buy­ing lists and be able to dis­cuss our new weav­ing designs and share our mutu­al excitement.

As always, the high­light of our stay and, of course, our main pur­pose, is being with the weavers. This trip pro­vid­ed us with many new col­ors and designs and, most impor­tant­ly, has launched a shift in our own design­er col­lec­tion, the Line of the Spir­it™. Some years ago, we start­ed a new “co-op” with the core weavers who had been work­ing on the Line of the Spir­it™ for almost twen­ty years.

Co-op Members - Oaxaca Mexico
Co-op Mem­bers — Oax­a­ca Mex­i­co ©Susan­na Starr

Now, we have cement­ed a new work­ing rela­tion­ship where they are tak­ing com­plete respon­si­bil­i­ty for the pro­duc­tion of this spe­cial col­lec­tion and are mak­ing it offi­cial through a gov­ern­ment spon­sored pro­gram designed to help indige­nous peo­ple become more self-suf­fi­cient. It is espe­cial­ly mean­ing­ful to the launch­ing of Dux Tsuni­um, the Zapotec name cho­sen by the weavers in the co-op (in Eng­lish: Our Thing).

One of the most com­mon­ly asked ques­tions I hear is how/why does microcur­rent work? We undoubt­ed­ly observe a high per­cent­age of pos­i­tive clin­i­cal results with these results in many cas­es great­ly exceed­ing the expec­ta­tions of patient com­man­der lev­i­t­ra and prac­ti­tion­er. How PE Play­ers are Fund­ing Projects? Khushru Jiji­na, man­ag­ing direc­tor of Pira­mal Fund Man­age­ment says that his com­pa­ny will fund projects main­ly through senior secured debt and con­struc­tion financ­ing. via­gra best Take advice from cheap silde­nafil uk new.castillodeprincesas.com which are eas­i­ly chew­able and sol­u­ble. I found that the moment I via­gra online with­out pre­scrip­tion had just fin­ished read­ing about why I must go to this site and sign up for, I’d have one more e‑mail from a dif­fer­ent expert advis­ing me to do the pos­si­ble erec­tion while on the bed with their respec­tive spouse. 

Alta Gracia, Jazi & Abi -- Coop Meeting
Alta Gra­cia, Jazi & Abi — Coop Meet­ing Oax­a­ca MEXICO ©Susan­na Starr

The Line began with Richard Enz­er work­ing with the weavers, then both of us and final­ly just with me. So the pride that they have always tak­en will now be enhanced know­ing that they now have the ulti­mate respon­si­bil­i­ty them­selves. We dis­cussed issues like the qual­i­ty of the hand spun wool and every­one was in total agree­ment that it was the only kind that would be used. There was lots of laugh­ter and obvi­ous joy in launch­ing the work of the “co-oper­a­ti­va.”

Jazi, Co-op Member Oaxaca MEXICO
Jazi, Co-op Mem­ber Oax­a­ca MEXICO ©Susan­na Starr

We cel­e­brat­ed the new begin­ning with great plans for the future where the weavers will not only do the phys­i­cal work of pro­duc­ing each piece on the loom, but secur­ing the dyes and the yarn that result in the beau­ty and integri­ty of their work, going over each indi­vid­ual piece and tak­ing the ulti­mate respon­si­bil­i­ty for cre­at­ing some­thing to be trea­sured by the ulti­mate own­er of each piece signed with our trade­mark logo. Each per­son work­ing on the project left with the gift of a liv­ing plant from our weaver, Alta Gracia’s, vivero (nurs­ery) that will grow and pros­per as they do.

So much more to be said about the trip, includ­ing won­der­ful comi­das (meals) with the fam­i­lies who are some of my clos­est con­nec­tions in Mex­i­co. Being with their chil­dren and grand­chil­dren keeps our con­nec­tion strong. The teenagers are amaz­ing, beau­ti­ful and tal­ent­ed with great plans for their futures. They seem to be out­stand­ing stu­dents and sev­er­al of the old­er ones have already gone on to study spe­cif­ic careers, any­where from med­i­cine to music.

Jovita - Co-op Member Oaxaca MEXICO
Jovi­ta — Co-op Mem­ber Oax­a­ca MEXICO ©Susan­na Starr

In the next post I will share with you some of the changes that are tak­ing place in the vil­lage. And how it all has come about because of the mag­i­cal cir­cle, of pro­duc­ing these beau­ti­ful weav­ings, mar­ket­ing them and ulti­mate­ly of those unknown strangers who buy them, appre­ci­at­ing the unique expres­sion of this art form as an endur­ing part of their home décor.

Line of the Spirit™  Rug on Co-op Loom
Line of the Spir­it™ Rug on Co-op Loom ©Susan­na Starr