This Year’s Buying Trip to the Village and Mucho Mas

by Susan­na Starr

Hav­ing just returned from a vis­it to the weav­ing vil­lage, the images are strong in my mind. For some time my fam­i­ly of three grown chil­dren have been talk­ing about get­ting togeth­er in Oax­a­ca when we did our next buy­ing trip. Although they’ve come down to the weav­ing vil­lage indi­vid­u­al­ly as chil­dren and young adults for many decades, this was the first time they came down togeth­er. At this point in their lives, work and time are dif­fi­cult to come by, so we start­ed mak­ing arrange­ments, sched­ul­ing the vis­it and not­ing it into their cal­en­dars, many months pri­or to the antic­i­pat­ed trip.

Amy, Roy and Mirabai in front of Tlamanalli Restaurant
Amy, Roy and Mirabai in front of Tla­manal­li Restaurant

Our Interwoven Lives with the Zapotec Weavers: An Odyssey of Love

The Zapotec Indi­an cul­ture is a rich one, with many thou­sands of years of endur­ing tra­di­tions. Of all the tra­di­tions, fam­i­ly is prob­a­bly the most impor­tant of the under­ly­ing struc­ture of this ancient cul­ture. My part­ner, John Lamkin, and I had recent­ly pub­lished a beau­ti­ful book called Our Inter­wo­ven Lives with the Zapotec Weavers: An Odyssey of Love (sales@Starr-Interiors.com) which tells the sto­ry of my more than forty years of work­ing with the same fam­i­lies in the vil­lage. John’s beau­ti­ful pho­tographs accom­pa­ny that jour­ney. In it, I trace three gen­er­a­tions of fam­i­lies that I’ve been so close to, as well as pho­tographs of oth­er weavers I’ve been work­ing with, espe­cial­ly on the Line of the Spir­it™, a spe­cial design­er col­lec­tion that has been an impor­tant part of what we do for more than twen­ty-five years.

Roy enjoying tortilla fresh from the comal Rosario, husband Faustino, Amy, Roy and Mirabai.
Roy enjoy­ing tor­tilla fresh from the comal
Rosario, hus­band Fausti­no, Amy, Roy and Mirabai.

Hav­ing Mirabai, Amy and Roy accom­pa­ny­ing us to vis­it each of the weav­ing fam­i­lies was not only impor­tant to the fam­i­lies, but to our fam­i­ly as well. When Roy and Rosario Men­doza met again,  thir­ty years had passed since they both were liv­ing in the Men­doza house in Oax­a­ca. but there was no prob­lem in rec­og­niz­ing each oth­er. Mirabai and Amy were down more recent­ly, some­times with their own chil­dren, but now there were not just two gen­er­a­tions, but three. As close as I am to the orig­i­nal fam­i­lies and their grown chil­dren, it’s this third gen­er­a­tion, the same age as my own grand­chil­dren, that are mov­ing beyond the life they were born into, while still hon­or­ing and prac­tic­ing the cul­tur­al val­ues that have con­tin­ued for so many gen­er­a­tions before them.

Armando in front of special "Tree of Life" which we purchased
Arman­do in front of spe­cial “Tree of Life” which we purchased

Now, through the hard work of their grand­par­ents and par­ents, they have been afford­ed edu­ca­tion­al oppor­tu­ni­ties nev­er before avail­able to pre­ced­ing gen­er­a­tions. Although many of the young peo­ple of this age are still weav­ing, those who have been giv­en the oppor­tu­ni­ties to study at uni­ver­si­ties are con­tin­u­ing on to become doc­tors, den­tists, and study­ing for oth­er professions.

I feel as proud of their accom­plish­ments as I do those of my own grand­chil­dren. The ties we have are strong ones and hav­ing our fam­i­lies togeth­er dur­ing this time was evi­dence of the warmth and friend­ship that goes far beyond just a work­ing rela­tion­ship. Liv­ing in the vil­lage, wak­ing up to the sounds, vis­it­ing the mar­ket to buy our flow­ers and fresh pro­duce, vis­it­ing the fam­i­lies we work with, hav­ing lunch at El Des­can­so and at Tier­ra Antigua with the Montaño fam­i­lies was joyful…and memorable.

The Montaños at El Descanso
The Mon­taños at El Descanso

Also mem­o­rable, was the evening we spent at the home of our good friends, Flo­renti­no and Eloisa Gutier­rez. Their son, Juan Cristo­bal, who stud­ied audio engi­neer­ing in Cal­i­for­nia, has put togeth­er a band and at Mirabai’s urg­ing, decid­ed to per­form a con­cert for us. It was held in their spa­cious court­yard, with lux­u­ri­ant flow­ers and plants pro­vid­ing the per­fect back­drop for the con­cert. And, the younger Fidel Mon­taño was the lead singer. Writ­ing their own music and lyrics and accom­pa­nied by a few oth­er mem­bers of the band, the con­cert was outstanding.

Juan Cristobal, Fidel and their band, Km 1
Juan Cristo­bal, Fidel and their band, Km 1
Roy holding Alta's grandson Pablito
Roy hold­ing Alta’s grand­son Pablito

We spent impor­tant time with Alta Gra­cia, the dye­mak­er for Line of the Spir­it™ since its incep­tion and with her son Jaci and his wife Soledad. We vis­it­ed with the wife of Felipe Lazaro who passed away recent­ly and bought some of her spe­cial­ties of roast­ed pump­kin seed bars, ama­ranth bars and light wafers and exchanged warm embraces. We vis­it­ed with Maria and Eloisa Bautista whose recent­ly mar­ried son, Jacobo now is fol­low­ing in the foot­steps of his par­ents who have been part of the Line of the Spir­it™ team since it began, more than twen­ty-five years ago when he was just a baby. Our fam­i­ly meet­ing with Jovi­ta and her broth­er, Valenti­no and his wife, was affir­ma­tion of the ongo­ing rela­tion­ship of our fam­i­lies, as it was with all the Line of the Spir­it™ weavers.

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Maria & Eliseo Bautista with Susanna and Jazi
Maria & Eliseo Bautista with Susan­na and Jacinto

Hav­ing lunch at Tla­manal­li, the acclaimed restau­rant of world-famous chef, Abi­gail Men­doza, and her sis­ters, was anoth­er spe­cial event. In the kitchen, we cried togeth­er with their moth­er, Dona Clara, who lost her son Arnul­fo, one of the most tal­ent­ed artists the vil­lage has ever known and one of our close friends. In the beau­ti­ful patio, we enjoyed some of their famous dish­es at the tra­di­tion­al­ly dec­o­rat­ed tables. The embraces we exchanged were heartfelt.

Our family with wife of recently deceased weaver Felipe Lazaro
Our fam­i­ly with wife of recent­ly deceased weaver Felipe Lazaro
Our family looks on as art director, Jacinto Morales, discusses technical aspect with Juan Luis and his wife Paula
Our fam­i­ly looks on as art direc­tor, Jac­in­to Morales, dis­cuss­es tech­ni­cal aspect with Juan Luis and his wife Paula

 

 

 

 

 

 

 

 

 

Yes, this was a mem­o­rable vis­it, a tes­ti­mo­ny to what busi­ness can real­ly bring as its reward. We have all pros­pered and its always a joy to see how the entire vil­lage has also pros­pered over these decades. But, always, its the per­son­al rela­tion­ships, the warmth and gen­uine car­ing, the being part of an extend­ed fam­i­ly that is the real bonus. This is as much a part of our con­nec­tion as any­thing else that we con­tin­ue to be involved in togeth­er. The weav­ings they pro­duce and that we sell to our clients who pro­vide a home for them where they will be enjoyed and appre­ci­at­ed com­pletes the cir­cle. But the heart con­nec­tion is what can­not be seen, just felt, and what endures.

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June is here! A great time to be in Taos, New Mexico

Birds
Birds

 

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June — It’s final­ly sum­mer and our his­toric court­yard is abloom with flow­ers to aug­ment the bird and fish weav­ings we’re fea­tur­ing for June. It all looks so very bright and cheer­ful after the win­ter cold. The birds are hap­py, too!

Spring is here!

Spring - Starr Interiors Courtyard
Spring — Starr Inte­ri­ors Courtyard


April Feature

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In honor of Mother Earth,

we are featuring Earth Tone Rugs this month,

 

March Features Room Size Rugs

Room size rugs - gallery view
Room size rugs — gallery view

MARCH Mad­ness is com­ing on with the wind blow­ing. Come in for a per­son­al view­ing of room size rugs with Faith or Leah and see what we can do for you.
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Starr Interiors’ 38th Annual 1/2 Price Sale

THIS IS THE SALE YOU’VE BEEN WAITING FOROUR ANNUAL HALF-PRICE SALE ON RUGS, WALL HANGINGS AND PILLOWS! TAKE ADVANTAGE NOW OF THIS ONCE A YEAR, END OF THE YEAR SALE TO BUY THAT SPECIAL PIECE YOU’VE WANTED BUT HAVEN’T BEEN ABLE TO ACT UPONUNTIL NOW.….. STOP BY AND CHECK OUT OUR OUTSTANDING COLLECTION OR CALL AND SPEAK WITH EITHER LEAH OR FAITH WHO WILL BE HAPPY TO HELP YOU WITH ALL YOUR NEEDS, AS YOUR OWN PERSONAL SHOPPER.

575.758.3065 or 1.800.748.1756
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Starr Interiors' Annual half-price sale
Starr Inte­ri­ors’ Annu­al half-price sale

Master Zapotec Indian Weaving Demonstration — the Gutierrez Family

Florentino, Susanna, Eloisa and Hugo
Flo­renti­no, Susan­na Starr (Starr Inte­ri­ors own­er), Eloisa and Hugo
pho­to © John Lamkin

For the past sev­er­al years, dur­ing the acclaimed Taos Wool Fes­ti­val, Eloisa and Flo­renti­no Gutier­rez and Hugo Gon­za­les Gutier­rez have set up a weav­ing demon­stra­tion in the his­toric court­yard of Starr Interiors.

This year, they will be weav­ing from 12 Noon to 4 PM on Octo­ber 6th and 7th, which is the week­end of the Wool Fes­ti­val. It will be a great oppor­tu­ni­ty to meet the weavers, enjoy the Wool Fes­ti­val and the beau­ti­ful ear­ly fall weath­er in Taos, New Mex­i­co at the base of the San­gre de Cristo mountains.

Eloisa Gutierrez
Eloisa Gutier­rez
pho­to: © John Lamkin

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In tune with the Remark­able Women of Taos, the gallery will present Eloisa’s con­tri­bu­tion — a spe­cial col­lec­tion of very fine, intri­cate 2’x3’ weav­ings. She is one of the ear­li­est of women weavers in the vil­lage where, tra­di­tion­al­ly, they have not been work­ing at looms. In this sum­mer of Remark­able Women of Taos, we are pleased to include Eloisa and her fine work.

Hugo’s large “Tree of Life” weav­ings have been pur­chased for a num­ber of col­lec­tions. There are gen­er­al­ly just one or two of these pro­duced each year, since they are time con­sum­ing and dif­fi­cult to make, and are much sought after. The com­plex pat­tern of birds and ani­mals cre­at­ed in a ver­ti­cal for­mat make for a stun­ning wall hang­ing as well as a spe­cial and unique runner.

If you can’t be there in per­son for this event and taste some of the tra­di­tion­al Oax­a­can hot choco­late that Eloisa pre­pares, please check out the web­site to see some of the new pieces they’ll be bring­ing. But if you’re enter­tain­ing the notion of a few days or more to spend “away,” please make sure you stop by on Sat­ur­day and/or Sun­day for this spe­cial year­ly event at Starr Inte­ri­ors.

Starr Interiors’ Alcove Shows featuring Remarkable Women – August 2012, Terrie Mangat

 Join us for our 4th Alcove show at Starr-Interiors, 
fea­tur­ing Remark­able Women of Taos. 
The Ter­rie Han­cock Man­gat show
opens on Sat­ur­day August 4th 4–6 PM 
and will be on dis­play till August 27th
 

Skeleton Memory Jar, textile art by Terrie Hancock Mangat

Skele­ton Mem­o­ry Jar, tex­tile art by Ter­rie Han­cock Mangat

 

 

Starr Inte­ri­ors is locat­ed on 117 & 119 Paseo del Pueblo Norte, Taos NM, look for our beau­ti­ful, his­tor­i­cal courtyard.

Con­tact us at 575–758-3065 or 1–800-748‑1756 for more infor­ma­tion and photos.

 textile art by Terrie Hancock Mangat
tex­tile art by Ter­rie Han­cock Mangat

TERRIE HANCOCK MANGAT

Ter­rie Han­cock Man­gat is an inter­na­tion­al­ly known tex­tile artist. She has been vis­it­ing Taos since 1992 had a home and stu­dio here mov­ing per­ma­nent­ly and liv­ing in Taos since 1998.

Ms. Man­gat has been gen­er­al­ly cred­it­ed with pio­neer­ing and pop­u­lar­iz­ing embell­ish­ment on con­tem­po­rary quilts since the ear­ly 70’s.

Ter­rie grad­u­at­ed from the Uni­ver­si­ty of Ken­tucky in 1970 with a degree in art, and has exhib­it­ed and taught quilt mak­ing both in the U.S. and abroad for 30 years.

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In 2000 “Dash­board Saints: In Mem­o­ry of Saint Christo­pher, Who Lost His Mag­net­ism” she was named one of the top 100 Amer­i­can Quilts of the 20th Century.

Ms. Mangat’s quilts are mixed media and often depict some­thing that she has seen or observed. Due to mas­tery of her tech­nique, she is equal­ly com­fort­able with pic­to­ri­als, tra­di­tion­al or abstract expres­sions. The sub­ject mat­ter of her work gen­er­al­ly falls into the cat­e­gories of per­son­al expe­ri­ence, social and polit­i­cal phi­los­o­phy, and cul­tur­al and ethno­graph­ic appreciation.

In addi­tion to being a world-rec­og­nized quilt mak­er, Ms. Manget designs and prints fab­ric. She has cre­at­ed acclaimed designs for sev­er­al com­mer­cial fab­ric hous­es. Ter­rie con­struct­ed her own screen-print­ing stu­dio where she prac­tices the tech­ni­cal aspects of print­ing her hand drawn gouache designs on silk and cotton.

Some of Ter­rie Man­gat col­lec­tors include Jack Walsh who is a major quilt col­lec­tor, and has a nation­al­ly sig­nif­i­cant col­lec­tion of con­tem­po­rary quilts. She cre­at­ed a com­mis­sioned large quilt on the sub­ject of water. 

Also amongst her col­lec­tors she has a quilt at the Chase Man­hat­tan bank in N.Y., Alfred P. Mur­ray Fed­er­al Build­ing in Ok. City, Jew­ish Hos­pi­tal, Cincin­nati OH, Cleve­land Memo­r­i­al Hos­pi­tal in Cleve­land OH, and many more.

 textile art by Terrie Hancock Mangat
tex­tile art by Ter­rie Han­cock Mangat

Ter­rie Han­cock Man­gat has an estab­lished rep­u­ta­tion among art quil­ters as one of the most impor­tant embell­ish­ers work­ing today. Her com­plex com­po­si­tions draw upon the pow­er of pat­tern, have mul­ti­ple focal points, are par­tial­ly real­is­tic and par­tial­ly abstract, and are com­prised of a myr­i­ad of mate­ri­als and objects in addi­tion to fab­rics, includ­ing, for exam­ple, but­tons, beads, and pho­to­graph­ic rep­re­sen­ta­tions. Togeth­er, these mate­ri­als enable Man­gat to achieve a scale so large that the view­er feels phys­i­cal­ly encom­passed by the sto­ries she tells.” Kate Bonansin­ga, direc­tor, Stan­lee and Ger­ald Rubin Cen­ter for Visu­al arts at the Uni­ver­si­ty of Texas at El Paso

 textile art by Terrie Hancock Mangat
tex­tile art by Ter­rie Han­cock Mangat

Ter­rie Han­cock Man­gat is an aca­d­e­m­i­cal­ly trained painter whose high­ly per­son­al and often auto­bi­o­graph­i­cal work is embell­ished with beads, but­tons, and oth­er small three dimen­sion­al objects. Mangat’s art is nar­ra­tive and pic­to­r­i­al; her quilts tell sto­ries through detailed rep­re­sen­ta­tions of her obser­va­tions and mem­o­ries and often deal with social or per­son­al issues. Her embell­ish­ments are often per­son­al as well, drawn from her vast col­lec­tions of jew­el­ry, charms, beads, pins, and oth­er minia­ture keep­sakes. Robert Shaw, author, Con­tem­po­rary Art Quilts, Uni­ver­si­ty of Ken­tucky, The John M. Walsh III Collection

 

Starr Interiors website redesign & Summer Sale

Line of the Spirit Room -- Starr Interiors, Taos, New Mexico
Line of the Spir­it Room — Starr Inte­ri­ors, Taos, New Mexico

We are working on a more user-friendly version of Starr Interior’s website. Please bear with us for a while.

Cur­rent­ly the gallery is hav­ing a Sum­mer Sale–30% off

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sales@starr-interiors.com
Phone: 800 . 748 . 1756 or
575 . 758 . 3065

Starr Interiors’ Alcove Shows featuring Remarkable Women — July 2012, Lydia Garcia

Lydia Gar­cia – Retab­los & Santos

July 7–23, Open­ing – July 7, 4–6 PM

Retablo by Lydia Garcia
Retablo by Lydia Garcia

Nes­tled among the San­gre de Cristo moun­tain chain is the vil­lage of Ran­chos de Taos, New Mex­i­co, an artists’ com­mu­ni­ty since the 1800s. Here art is a way of life. “It’s a sim­ple life,” admits Lydia, “but it’s full of joy and peace. And that’s what is real to me.”

Lydia Gar­cia, the eldest of five daugh­ters, is one of the fore­most female san­teras cre­at­ing spir­i­tu­al art today. As a life-long res­i­dent of Ran­chos de Taos, steeped in the His­pan­ic tra­di­tions of art, cul­ture and reli­gion, her art reflects her cul­tur­al her­itage in all of its pas­sion and depth.
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As a young girl, Lydia worked along­side her father, Elias, while he cre­at­ed san­tos and won­der­ful objects in his wood-work­ing shop. Her hunger for art brought her to the stu­dios of two artists, Ward Lock­wood and Andrew Das­burg. In their stu­dios, Lydia sat with­out say­ing a word so that they would per­mit her to watch them work. After these ses­sions she would run home to her moth­er’s kitchen where she would paint the under­side of an oil table­cloth, using the pre­cious gifts of old brush­es and par­tial­ly used tubes of paints that her men­tors had giv­en her. In this man­ner, Lydia ini­ti­at­ed her own train­ing. She still paints any­thing she can get her hands on: recy­cled wood, tin cans, old fur­ni­ture, and trea­sures left out­side her home by neigh­bors and friends.

Today Lydia is a full-time san­tera and con­tin­ues to paint and sculpt in the same adobe work­space built by her grand­fa­ther, Anto­nio Vig­il, where she was born and raised work­ing with her father. Here she inte­grates con­tem­po­rary media, such as acrylics and recy­cled and found mate­ri­als. Although mod­ern in tech­nique, the core of Lydi­a’s work embod­ies the tra­di­tion­al faith in God and spir­i­tu­al­i­ty in her his­toric role of santera.

Lydia inspires oth­ers with her faith. “Life is a prayer,” she says. She gives thanks to God for the many bless­ings in her life, includ­ing five chil­dren, ten grand chil­dren and two great-grand chil­dren. She pass­es on bless­ings to her col­lec­tors in the form of unique hand-paint­ed prayers found on the back of her work. For oth­ers, she teach­es work­shops, bless­ing her stu­dents through her instruc­tion and guid­ance. Her pas­sion and faith touch the many folk she encoun­ters through her art, her prayers and teachings.

Lydi­a’s retab­los and bul­tos have been acquired by some of the finest pri­vate col­lec­tions and muse­ums world­wide.