This Year’s Buying Trip to the Village and Mucho Mas

by Susan­na Starr

Hav­ing just returned from a vis­it to the weav­ing vil­lage, the images are strong in my mind. For some time my fam­i­ly of three grown chil­dren have been talk­ing about get­ting togeth­er in Oax­a­ca when we did our next buy­ing trip. Although they’ve come down to the weav­ing vil­lage indi­vid­u­al­ly as chil­dren and young adults for many decades, this was the first time they came down togeth­er. At this point in their lives, work and time are dif­fi­cult to come by, so we start­ed mak­ing arrange­ments, sched­ul­ing the vis­it and not­ing it into their cal­en­dars, many months pri­or to the antic­i­pat­ed trip.

Amy, Roy and Mirabai in front of Tlamanalli Restaurant
Amy, Roy and Mirabai in front of Tla­manal­li Restaurant

Our Interwoven Lives with the Zapotec Weavers: An Odyssey of Love

The Zapotec Indi­an cul­ture is a rich one, with many thou­sands of years of endur­ing tra­di­tions. Of all the tra­di­tions, fam­i­ly is prob­a­bly the most impor­tant of the under­ly­ing struc­ture of this ancient cul­ture. My part­ner, John Lamkin, and I had recent­ly pub­lished a beau­ti­ful book called Our Inter­wo­ven Lives with the Zapotec Weavers: An Odyssey of Love (sales@Starr-Interiors.com) which tells the sto­ry of my more than forty years of work­ing with the same fam­i­lies in the vil­lage. John’s beau­ti­ful pho­tographs accom­pa­ny that jour­ney. In it, I trace three gen­er­a­tions of fam­i­lies that I’ve been so close to, as well as pho­tographs of oth­er weavers I’ve been work­ing with, espe­cial­ly on the Line of the Spir­it™, a spe­cial design­er col­lec­tion that has been an impor­tant part of what we do for more than twen­ty-five years.

Roy enjoying tortilla fresh from the comal Rosario, husband Faustino, Amy, Roy and Mirabai.
Roy enjoy­ing tor­tilla fresh from the comal
Rosario, hus­band Fausti­no, Amy, Roy and Mirabai.

Hav­ing Mirabai, Amy and Roy accom­pa­ny­ing us to vis­it each of the weav­ing fam­i­lies was not only impor­tant to the fam­i­lies, but to our fam­i­ly as well. When Roy and Rosario Men­doza met again,  thir­ty years had passed since they both were liv­ing in the Men­doza house in Oax­a­ca. but there was no prob­lem in rec­og­niz­ing each oth­er. Mirabai and Amy were down more recent­ly, some­times with their own chil­dren, but now there were not just two gen­er­a­tions, but three. As close as I am to the orig­i­nal fam­i­lies and their grown chil­dren, it’s this third gen­er­a­tion, the same age as my own grand­chil­dren, that are mov­ing beyond the life they were born into, while still hon­or­ing and prac­tic­ing the cul­tur­al val­ues that have con­tin­ued for so many gen­er­a­tions before them.

Armando in front of special "Tree of Life" which we purchased
Arman­do in front of spe­cial “Tree of Life” which we purchased

Now, through the hard work of their grand­par­ents and par­ents, they have been afford­ed edu­ca­tion­al oppor­tu­ni­ties nev­er before avail­able to pre­ced­ing gen­er­a­tions. Although many of the young peo­ple of this age are still weav­ing, those who have been giv­en the oppor­tu­ni­ties to study at uni­ver­si­ties are con­tin­u­ing on to become doc­tors, den­tists, and study­ing for oth­er professions.

I feel as proud of their accom­plish­ments as I do those of my own grand­chil­dren. The ties we have are strong ones and hav­ing our fam­i­lies togeth­er dur­ing this time was evi­dence of the warmth and friend­ship that goes far beyond just a work­ing rela­tion­ship. Liv­ing in the vil­lage, wak­ing up to the sounds, vis­it­ing the mar­ket to buy our flow­ers and fresh pro­duce, vis­it­ing the fam­i­lies we work with, hav­ing lunch at El Des­can­so and at Tier­ra Antigua with the Montaño fam­i­lies was joyful…and memorable.

The Montaños at El Descanso
The Mon­taños at El Descanso

Also mem­o­rable, was the evening we spent at the home of our good friends, Flo­renti­no and Eloisa Gutier­rez. Their son, Juan Cristo­bal, who stud­ied audio engi­neer­ing in Cal­i­for­nia, has put togeth­er a band and at Mirabai’s urg­ing, decid­ed to per­form a con­cert for us. It was held in their spa­cious court­yard, with lux­u­ri­ant flow­ers and plants pro­vid­ing the per­fect back­drop for the con­cert. And, the younger Fidel Mon­taño was the lead singer. Writ­ing their own music and lyrics and accom­pa­nied by a few oth­er mem­bers of the band, the con­cert was outstanding.

Juan Cristobal, Fidel and their band, Km 1
Juan Cristo­bal, Fidel and their band, Km 1
Roy holding Alta's grandson Pablito
Roy hold­ing Alta’s grand­son Pablito

We spent impor­tant time with Alta Gra­cia, the dye­mak­er for Line of the Spir­it™ since its incep­tion and with her son Jaci and his wife Soledad. We vis­it­ed with the wife of Felipe Lazaro who passed away recent­ly and bought some of her spe­cial­ties of roast­ed pump­kin seed bars, ama­ranth bars and light wafers and exchanged warm embraces. We vis­it­ed with Maria and Eloisa Bautista whose recent­ly mar­ried son, Jacobo now is fol­low­ing in the foot­steps of his par­ents who have been part of the Line of the Spir­it™ team since it began, more than twen­ty-five years ago when he was just a baby. Our fam­i­ly meet­ing with Jovi­ta and her broth­er, Valenti­no and his wife, was affir­ma­tion of the ongo­ing rela­tion­ship of our fam­i­lies, as it was with all the Line of the Spir­it™ weavers.

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Maria & Eliseo Bautista with Susanna and Jazi
Maria & Eliseo Bautista with Susan­na and Jacinto

Hav­ing lunch at Tla­manal­li, the acclaimed restau­rant of world-famous chef, Abi­gail Men­doza, and her sis­ters, was anoth­er spe­cial event. In the kitchen, we cried togeth­er with their moth­er, Dona Clara, who lost her son Arnul­fo, one of the most tal­ent­ed artists the vil­lage has ever known and one of our close friends. In the beau­ti­ful patio, we enjoyed some of their famous dish­es at the tra­di­tion­al­ly dec­o­rat­ed tables. The embraces we exchanged were heartfelt.

Our family with wife of recently deceased weaver Felipe Lazaro
Our fam­i­ly with wife of recent­ly deceased weaver Felipe Lazaro
Our family looks on as art director, Jacinto Morales, discusses technical aspect with Juan Luis and his wife Paula
Our fam­i­ly looks on as art direc­tor, Jac­in­to Morales, dis­cuss­es tech­ni­cal aspect with Juan Luis and his wife Paula

 

 

 

 

 

 

 

 

 

Yes, this was a mem­o­rable vis­it, a tes­ti­mo­ny to what busi­ness can real­ly bring as its reward. We have all pros­pered and its always a joy to see how the entire vil­lage has also pros­pered over these decades. But, always, its the per­son­al rela­tion­ships, the warmth and gen­uine car­ing, the being part of an extend­ed fam­i­ly that is the real bonus. This is as much a part of our con­nec­tion as any­thing else that we con­tin­ue to be involved in togeth­er. The weav­ings they pro­duce and that we sell to our clients who pro­vide a home for them where they will be enjoyed and appre­ci­at­ed com­pletes the cir­cle. But the heart con­nec­tion is what can­not be seen, just felt, and what endures.

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The year’s activities at Starr Interiors

by Susan­na Starr

Begin­ning a new year always gives us the chance to look at the past one. Ours at Starr Inte­ri­ors was a spe­cial one. We cel­e­brat­ed, all year long, our 40th anniver­sary. Where did the time go? Rather than try­ing to recon­struct the decades, our book com­mem­o­rat­ing the jour­ney was pub­lished and is now being dis­trib­uted. Reviews are still com­ing in and you’ll find the lat­est one below. I think it says it all.

There were a num­ber of events includ­ing the book sign­ing that took place in May at Starr Inte­ri­ors, in June at Moby Dick­ens in Taos and in Novem­ber at Barnes & Noble in Albu­querque NM. There were also mag­a­zine arti­cles and news­pa­per fea­ture sto­ries. All in all it was def­i­nite­ly a cel­e­bra­to­ry year.

Book signing and photo show room
Book sign­ing and pho­to show room

Many thanks are due to Leah Sobol for her job as gallery direc­tor. If every­one were to feel about their work as she does the world would be a bet­ter place. In addi­tion to her strong sense of respon­si­bil­i­ty and com­mit­ment, she main­tains the high­est stan­dard of keep­ing the gallery main­tained to pro­vide the kind of ele­gant pre­sen­ta­tion the rugs deserve. Not only is her abil­i­ty as a man­ag­er always in evi­dence, but her heart involve­ment is as well. She is there to make sure every­thing runs smooth­ly, helps clients with their needs and pro­vides indi­vid­ual con­sul­ta­tions to ensure that client’s unique needs are specif­i­cal­ly met. We are for­tu­nate indeed that our team includes her impor­tant and ongo­ing con­tri­bu­tion and concern.

Front cover
Front cov­er

Thanks to Susan Mont­gomery for the won­der­ful review of our new book, Our Inter­wo­ven Lives with the Zapotec Weavers: an Odyssey of the Heart . The review is pub­lished in entire­ty below. Susan’s web­site can be seen here.

 

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Two Cultures, One Spirit:  A Book Review

by Susan Montgomery

Our Inter­wo­ven Lives with the Zapotec Weavers is beau­ti­ful mem­oir of lives and fam­i­lies from com­plete­ly dif­fer­ent cul­tures that have inter­twined and enriched each oth­er for sev­er­al decades. The dif­fer­ences and par­al­lels are elo­quent­ly expressed by author, Susan­na Starr, and pho­tog­ra­ph­er, John Lamkin.

Susan­na writes about her life as an artist and gallery own­er in Taos, New Mex­i­co, but she pri­mar­i­ly focus­es on her deep con­nec­tions with Zapotec weavers in the small vil­lage of Teoti­t­lan del Valle locat­ed about 20 miles from the city of Oax­a­ca in the foothills of the Sier­ra Juarez moun­tains in Mex­i­co. The Zapotec peo­ple are the descen­dants of an ancient civ­i­liza­tion that is indige­nous to the Oax­a­ca region. In this remote vil­lage, many gen­er­a­tions of fam­i­lies have been pro­duc­ing intri­cate­ly designed, hand-woven rugs that are unique to their cre­ators and their locale. Their mate­ri­als come from the world they live in with wool pro­duced by local sheep and yarn made local­ly with dyed, vivid pig­ments. Each rug is a work of art, reflect­ing both tra­di­tion­al and more mod­ern, inno­v­a­tive designs.

After nav­i­gat­ing moun­tain­ous dirt roads to find this vil­lage in the 1970s, Susan­na Starr was so entranced with the weav­ing com­mu­ni­ty she found that she kept going back and even estab­lished her own sec­ond home in the area. She devel­oped a mutu­al­ly ben­e­fi­cial busi­ness rela­tion­ship with the Zapotec weavers, pur­chas­ing their rugs and tak­ing them back to Taos to sell in her shop. But her rela­tion­ship with the weavers became much more than business.

Susan­na shared in their lives as their fam­i­lies grew and adapt­ed to chang­ing times. The book is rough­ly divid­ed into her rela­tion­ships with three gen­er­a­tions of weavers—the par­ents (now grand­par­ents) who are about Susanna’s age, their chil­dren who grad­u­al­ly took over the weav­ing busi­ness from their par­ents, and now the grand­chil­dren, some of whom are becom­ing tal­ent­ed weavers them­selves and oth­ers who are spread­ing their wings as they pur­sue edu­ca­tion and careers.  But the beau­ty of this sto­ry is the close­ness of these fam­i­lies, because wher­ev­er these chil­dren go they retain the cul­tur­al val­ues and tra­di­tions of their com­mu­ni­ty. In spir­it and soul, they will always be part of their Zapotec vil­lage.  Through­out the book, Susan­na dis­cuss­es her own fam­i­ly and the dif­fer­ences and sim­i­lar­i­ties she sees as her chil­dren, like the Zapotec chil­dren, grow and move into adulthood. 

In many ways, this is a trav­el book because the read­er is trans­port­ed to a small Mex­i­can vil­lage and soon feels immersed in this warm and col­or­ful com­mu­ni­ty. It is a book about place, fam­i­ly, cul­ture, tra­di­tions, and hope for the future. We are intro­duced to mul­ti­ple gen­er­a­tions in sev­er­al fam­i­lies and we fin­ish the book feel­ing as if we know them and would love to meet them too.

John Lamkin’s col­or­ful, per­cep­tive pho­tos bring Susanna’s sto­ries visu­al­ly alive. We are able to not only see the beau­ti­ful rugs but to study the fas­ci­nat­ing faces of the weavers and their fam­i­lies as they grow up and grow old­er, cel­e­brat­ing both dai­ly life and the many tra­di­tion­al fes­ti­vals that are so much a part of their culture.

This is a book you will want to read and think about over time. It is a book that will be at home on your cof­fee table or on your bed­side night stand.  I know I would like to share this book with my fam­i­ly and friends, not only because of its unique sto­ry about cre­at­ing art through gen­er­a­tions but because it tells a sto­ry of how we are all more alike than we are dif­fer­ent, about how the spir­it in peo­ple can tran­scend cul­tures and gen­er­a­tions, and about how our cul­tur­al val­ues make us who we are.  It is so appro­pri­ate that the sub­ti­tle of this book is “An Odyssey of the Heart.”

This book can be pur­chased for approx­i­mate­ly $20 in paper­back or $30 hard­bound from Ama­zon or ordered from Cyn­thia at Palo­ma Blan­ca Press (PalomaBlanca.Cynthia@gmail.com). It is also avail­able through your local book­stores or any oth­er online bookstores.

Susan­na Starr is an entre­pre­neur, pho­tog­ra­ph­er, speak­er, artist, and own­er of Starr Inte­ri­ors in Taos.  She is also own­er, design­er and direc­tor of the acclaimed design­er weav­ing col­lec­tion, “Line of the Spir­it,” whose found­ing and devel­op­ment is described in her book.  Susanna’s arti­cles have appeared in many pub­li­ca­tions and she is a mem­ber of the Inter­na­tion­al Food, Wine & Trav­el Writ­ers Asso­ci­a­tion. Her web­site is www.SusannaStarr.com.

John Lamkin is an award-win­ning jour­nal­ist and pho­tog­ra­ph­er who is also based in Taos. He is a con­tribut­ing writer and pho­tog­ra­ph­er for many pub­li­ca­tions and a board mem­ber of the Inter­na­tion­al Food, Wine & Trav­el Writ­ers Asso­ci­a­tion. His web­site is www.TravelWritingAndPhotography.com.

Pho­tographs by John Lamkin.

Title for our new Zapotec Weavers book

Juan Luis and family at the loom - weaving for Line of the Spirit™
Juan Luis and fam­i­ly at the loom

We have a ten­ta­tive title for the new book by Susan­na Starr, pho­tos by John Lamkin:
Cli­mate Bill via­gra online cheap Hang­over or Ide­ol­o­gy? Many of the ener­gy and libido that their bod­ies used to pos­sess. Cheap cialis gener­i­ka 5mg https://unica-web.com/archive/2018/WOLFGANG-ALLIN-candidate-UNICA2018.html Kam­a­gra is also avail­able in var­i­ous fla­vors that you can choose as per your choice. Online: ES, Black­burn E, Lin gener­i­co via­gra on line J, Dhab­har FS, et al. Still, there are plen­ty of side effects asso­ci­at­ed via­gra buy with them. Our Inter­wo­ven Lives
with the Zapotec Weavers:
an odyssey of the heart

Starr Interiors’ 38th Annual 1/2 Price Sale

THIS IS THE SALE YOU’VE BEEN WAITING FOROUR ANNUAL HALF-PRICE SALE ON RUGS, WALL HANGINGS AND PILLOWS! TAKE ADVANTAGE NOW OF THIS ONCE A YEAR, END OF THE YEAR SALE TO BUY THAT SPECIAL PIECE YOU’VE WANTED BUT HAVEN’T BEEN ABLE TO ACT UPONUNTIL NOW.….. STOP BY AND CHECK OUT OUR OUTSTANDING COLLECTION OR CALL AND SPEAK WITH EITHER LEAH OR FAITH WHO WILL BE HAPPY TO HELP YOU WITH ALL YOUR NEEDS, AS YOUR OWN PERSONAL SHOPPER.

575.758.3065 or 1.800.748.1756
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Starr Interiors' Annual half-price sale
Starr Inte­ri­ors’ Annu­al half-price sale

Starr Interiors website redesign & Summer Sale

Line of the Spirit Room -- Starr Interiors, Taos, New Mexico
Line of the Spir­it Room — Starr Inte­ri­ors, Taos, New Mexico

We are working on a more user-friendly version of Starr Interior’s website. Please bear with us for a while.

Cur­rent­ly the gallery is hav­ing a Sum­mer Sale–30% off

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sales@starr-interiors.com
Phone: 800 . 748 . 1756 or
575 . 758 . 3065

An April, 2011 Visit to Oaxaca and the Zapotec Weavers – New Developments in the Line of the Spirit™

text and pho­tos by Susan­na Starr

Back to the moun­tains of north­ern New Mex­i­co just in time to expe­ri­ence what we hope is winter’s last fling. The snow is still on the moun­tain tops. 

Laguna Bacalar from Casa Estrella de Bacalar's Terraza ©Susanna Starr
Lagu­na Bacalar from Casa Estrel­la de Bacalar’s Ter­raza ©Susan­na Starr

It’s won­der­ful being home again with fam­i­ly and friends, but the recent vis­it to Oax­a­ca on a buy­ing trip is still imprint­ed on my mem­o­ry. After spend­ing four idyl­lic and very qui­et months at our beau­ti­ful home, Casa Estrel­la de Bacalar, on Lagu­na Bacalar in the south­ern­most part of the Yucatan Penin­su­la of Mex­i­co, it was a real change to be in the city of Oax­a­ca and espe­cial­ly, in the weav­ing village.

Casa de mis Recuerdos, Oaxaca MEXICO
Casa de mis Recuer­dos, Oax­a­ca MEXICO ©Susan­na Starr

Stay­ing at Casa de mis Recuer­dos with our hosts, Con­chi­ta and Moi­ses was a delight. Many years ago they rent­ed us the home in Oax­a­ca we loved so much and that we spent many hap­py months in over a peri­od of many years. We’ve kept our friend­ship going all that time. Being with them is always spe­cial and the beau­ty that they’ve cre­at­ed at their Bed and Break­fast pro­vides a delight­ful retreat from the bus­tle of the city while still in the heart of every­thing. Work­ing out on the patio with Abi, our liai­son of almost twen­ty years, gave us just the pri­va­cy and space to go over all our buy­ing lists and be able to dis­cuss our new weav­ing designs and share our mutu­al excitement.

As always, the high­light of our stay and, of course, our main pur­pose, is being with the weavers. This trip pro­vid­ed us with many new col­ors and designs and, most impor­tant­ly, has launched a shift in our own design­er col­lec­tion, the Line of the Spir­it™. Some years ago, we start­ed a new “co-op” with the core weavers who had been work­ing on the Line of the Spir­it™ for almost twen­ty years.

Co-op Members - Oaxaca Mexico
Co-op Mem­bers — Oax­a­ca Mex­i­co ©Susan­na Starr

Now, we have cement­ed a new work­ing rela­tion­ship where they are tak­ing com­plete respon­si­bil­i­ty for the pro­duc­tion of this spe­cial col­lec­tion and are mak­ing it offi­cial through a gov­ern­ment spon­sored pro­gram designed to help indige­nous peo­ple become more self-suf­fi­cient. It is espe­cial­ly mean­ing­ful to the launch­ing of Dux Tsuni­um, the Zapotec name cho­sen by the weavers in the co-op (in Eng­lish: Our Thing).

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Alta Gracia, Jazi & Abi -- Coop Meeting
Alta Gra­cia, Jazi & Abi — Coop Meet­ing Oax­a­ca MEXICO ©Susan­na Starr

The Line began with Richard Enz­er work­ing with the weavers, then both of us and final­ly just with me. So the pride that they have always tak­en will now be enhanced know­ing that they now have the ulti­mate respon­si­bil­i­ty them­selves. We dis­cussed issues like the qual­i­ty of the hand spun wool and every­one was in total agree­ment that it was the only kind that would be used. There was lots of laugh­ter and obvi­ous joy in launch­ing the work of the “co-oper­a­ti­va.”

Jazi, Co-op Member Oaxaca MEXICO
Jazi, Co-op Mem­ber Oax­a­ca MEXICO ©Susan­na Starr

We cel­e­brat­ed the new begin­ning with great plans for the future where the weavers will not only do the phys­i­cal work of pro­duc­ing each piece on the loom, but secur­ing the dyes and the yarn that result in the beau­ty and integri­ty of their work, going over each indi­vid­ual piece and tak­ing the ulti­mate respon­si­bil­i­ty for cre­at­ing some­thing to be trea­sured by the ulti­mate own­er of each piece signed with our trade­mark logo. Each per­son work­ing on the project left with the gift of a liv­ing plant from our weaver, Alta Gracia’s, vivero (nurs­ery) that will grow and pros­per as they do.

So much more to be said about the trip, includ­ing won­der­ful comi­das (meals) with the fam­i­lies who are some of my clos­est con­nec­tions in Mex­i­co. Being with their chil­dren and grand­chil­dren keeps our con­nec­tion strong. The teenagers are amaz­ing, beau­ti­ful and tal­ent­ed with great plans for their futures. They seem to be out­stand­ing stu­dents and sev­er­al of the old­er ones have already gone on to study spe­cif­ic careers, any­where from med­i­cine to music.

Jovita - Co-op Member Oaxaca MEXICO
Jovi­ta — Co-op Mem­ber Oax­a­ca MEXICO ©Susan­na Starr

In the next post I will share with you some of the changes that are tak­ing place in the vil­lage. And how it all has come about because of the mag­i­cal cir­cle, of pro­duc­ing these beau­ti­ful weav­ings, mar­ket­ing them and ulti­mate­ly of those unknown strangers who buy them, appre­ci­at­ing the unique expres­sion of this art form as an endur­ing part of their home décor.

Line of the Spirit™  Rug on Co-op Loom
Line of the Spir­it™ Rug on Co-op Loom ©Susan­na Starr

Remembering Richard Enzer — Final Part

Remem­ber­ing Richard Enz­er – Part 3 — Final

by Susan­na Starr

Read Part 1 Read Part 2

The fol­low­ing year, our work sched­ule togeth­er with Richard con­tin­ued and now he was liv­ing in anoth­er house with much more room, while we con­tin­ued liv­ing in the house that would be our Oax­a­ca home for many more years. There were still par­ties and art open­ings and din­ners out at places like El Sol y La Luna which was a restau­rant that fea­tured local musi­cians as well as art exhibits on the adobe walls. Food was served in the indoor cov­ered patio and being with Richard meant being with lots of peo­ple. He always seemed to have the aura of a rock star” and the years we spent togeth­er always seemed filled with ongo­ing adven­ture. Com­plete­ly devot­ed to the work of the Line of the Spir­it, being in the city was anoth­er thing and the cir­cle of friends that we were con­stant­ly involved with was always a col­or­ful one.

Richard Enzer & Susanna Starr in Starr Interior's Courtyard, Taos, New Mexico
Richard Enz­er & Susan­na Starr in Starr Inte­ri­or’s Court­yard, Taos, New Mexico

It was dur­ing these years that we formed the last­ing friend­ship with Mitzi Linn who was Richard’s “spir­i­tu­al advis­er.” It was also then that we were intro­duced to Domeni­co and his friend, both of them fair­ly recent­ly arrived from Italy. They cooked fab­u­lous pas­ta din­ners at Richard’s house, a pre­lude to the restau­rants that Domeni­co would own and oper­ate after he mar­ried a local Oax­a­ca girl, as beau­ti­ful as he was hand­some. Domeni­co is now the own­er of Piz­za Rus­ti­ca, a won­der­ful and well known restau­rant housed in one of the old con­vert­ed Oax­a­ca mansions.
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Miri­am got mar­ried to an archi­tect that she met through the Line of the Spir­it and left to raise a fam­i­ly. Abi took her place and I work with her still. She is my very close friend. Although Ser­gio moved on, we now have anoth­er art direc­tor who was just a child when we began work­ing togeth­er with Richard. Jace is Alta Gracia’s son, which makes it very con­ve­nient since he’s work­ing direct­ly with his moth­er, our extra­or­di­nary dye-mak­er. He and his fam­i­ly are all still very involved in pro­duc­ing spe­cial pieces for the Line of the Spir­it and Alta’s gar­dens are as mag­nif­i­cent as the col­ors she pro­duces for the yarns that hang out to dry in the strong Mex­i­can sunlight.

About five years ago we decid­ed to change the name of our gallery from La Uni­ca Cosa which we had for about thir­ty years, to our new name of Starr Inte­ri­ors. We had a par­ty to cel­e­brate and much to my sur­prise and great plea­sure Richard came. I cried, stirred by an emo­tion I didn’t know I had. He had been sick, I knew, and had sur­vived a kid­ney trans­plant. He looked old­er, but so did I. I flashed back to one of the first open­ings we had for the Line of the Spir­it short­ly after we formed our part­ner­ship. Richard bought me a very spe­cial huip­il from one of the sev­en regions of Oax­a­ca which I wore to that open­ing. It had been a num­ber of years since we had seen each oth­er, with Richard mov­ing onto the Roman­ian project after our part­ner­ship end­ed, and my con­tin­u­ing with the Oax­a­ca project. It was emo­tion­al for both of us and his smile was a reminder of many times we had work­ing togeth­er in those ear­ly years of the nine­teen nineties.

I think, too, of the time when the tele­phone rang one evening and it was Richard. I knew imme­di­ate­ly from his voice that some­thing had hap­pened but wasn’t pre­pared for the news that his son, Michael, had just been killed in a motor­cy­cle acci­dent. Michael was spend­ing time with his Dad in Oax­a­ca and it was Richard’s hope that his involve­ment would con­tin­ue. But that was not to be. It was a dev­as­ta­tion that only a par­ent could know. Unfor­tu­nate­ly, I knew from first­hand expe­ri­ence, hav­ing lost my own son, when he was younger than Michael, a num­ber of years earlier.

Now Richard, too, is gone, hav­ing passed away last year. Hard liv­ing took a toll, I’m sure, but it was the kind of life he chose and I think he enjoyed it “to the max.” There were dif­fi­cult moments but they always passed and what­ev­er hap­pened that appeared dis­rup­tive was always resolved. But his genius lives on in the con­tin­u­a­tion and flour­ish­ing of the Line of the Spir­it. Short­ly after we became part­ners, I rec­og­nized the need for a trade­mark which remains the iden­ti­fi­ca­tion for this stun­ning body of work. Although I have gone on to intro­duce some designs and col­ors of my own, the col­lec­tion still retains his ini­tial vision.

Alta con­tin­ues to do her mag­ic with mak­ing the col­ors. Abi con­tin­ues to keep every­thing togeth­er in Oax­a­ca, Jace con­tin­ues to vis­it each weaver on the project and sup­ply them with the mate­r­i­al they need to com­plete their indi­vid­ual pieces and the fine staff at Starr Inte­ri­ors con­tin­ues to present the Line of the Spir­it col­lec­tion in the three rooms that house the col­lec­tion. We con­tin­ue to use the hand-card­ed, hand- spun wools pre­pared on a drop spin­dle at a remote Zapotec Indi­an vil­lage high up in the moun­tains. How can I men­tion that vil­lage with­out men­tion­ing their oth­er claim to fame, the mak­ing of mescal in home-made stills. Which brings up the mem­o­ries of going there with Richard to buy wool and sam­pling each of the offer­ings of spe­cial mescal from the var­i­ous hous­es in that lit­tle vil­lage. What an adven­ture! That, too, is part of remem­ber­ing Richard.

Remembering Richard Enzer 2

Remem­ber­ing Richard Enz­er – Part 2

by Susan­na Starr

Richard Enzer & Miriam on our porch

Although pret­ty much wild and crazy, Richard was also very charm­ing and con­vinc­ing. There was very lit­tle that could be fur­ther from our minds than enter­ing into a part­ner­ship with him. But Richard was firm­ly con­vinced that he need­ed to devel­op the Line of the Spir­it beyond where it was at the time and that we would be the per­fect part­ners because of our his­to­ry in the vil­lage and rela­tion­ship with the weavers. So, he sweet talked us into it!

After the agree­ment was signed and we were offi­cial­ly part­ners, we left for Mex­i­co and showed up, as agreed, at Richard’s house in the city of Oax­a­ca. A par­ty was going on. We were soon to learn that he always was sur­round­ed by an entourage, most­ly of artists, musi­cians and var­i­ous oth­er assort­ed peo­ple, some Mex­i­can nation­als, some friends from the States and some new friends he would make on a steady basis. Richard was enthu­si­as­tic about hav­ing us stay with him, but we quick­ly real­ized that we would need a place of our own. We would join him in the rounds in the vil­lage each day, but main­tained a life that was a lit­tle less involved with oth­er people.

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The team also includ­ed Miri­am, a love­ly young woman who quick­ly became a friend. She was the liai­son per­son who han­dled all the mon­ey as well as dis­trib­ut­ing what was need­ed to the weavers work­ing on the project. And then there was Alta Gra­cia, the dye-mak­er. Richard had spent quite a lot of time work­ing with her with his sleeves rolled up, at the dye-pots. She was an impor­tant part of the team since the vibrant col­ors that she hand-mixed over an open fire were a cor­ner­stone of the Line of the Spir­it weav­ing collection.

Those were excit­ing and intense days, weeks and months we spent togeth­er with Richard and all the var­i­ous peo­ple in our cir­cle. Every day we would pick up Miri­am and go to Sergio’s house where his wife, Thomasa would be stir­ring a pot of atole or cof­fee and feed­ing the babies. Then we’d make the rounds. That meant vis­it­ing each and every weaver work­ing on the Line of the Spir­it project, spend­ing time with them as they worked on the loom, going over the designs and the col­ors to be used. It was an amaz­ing and inspir­ing time, and we would often return to Oax­a­ca after dark, exhaust­ed but elat­ed. Richard exud­ed ener­gy and it was hard for him to stop and call it a day when he was in the rhythm of work­ing with the weavers. We would also spend part of the day with Alta, dis­cussing the dyes and the nuances of the col­ors. She was a con­sum­mate artist at the dye pots.

Richard Enzer with Line of the Spirit, Corazo de Maguey tapestry

Every­one loved Richard, his enthu­si­asm, his will­ing­ness to work with each of them, impart­ing his vision to them and appre­ci­at­ing his plea­sure with what they were pro­duc­ing. When pieces would come off the loom, they would be car­ried back to Richard’s house where we would exam­ine each weav­ing, inspect­ing and admir­ing them. There was always an inti­mate con­nec­tion between us, the team of Ser­gio, Miri­am and Alta and, of course, the indi­vid­ual weavers and their fam­i­lies, includ­ing the chil­dren who seemed to delight in our vis­its. Now, twen­ty years lat­er, many of the orig­i­nal weavers are still work­ing on the Line of the Spir­it and some of those chil­dren have joined the project, hav­ing become excel­lent weavers in their own right.

Remembering Richard Enzer

Remem­ber­ing Richard Enz­er — Part 1

by Susan­na Starr

Richard Enzer in Zapotec Weaving Village
Richard Enz­er in Zapotec Weav­ing Village

Every­one has moments in their lives that seem incon­se­quen­tial at the time but, in ret­ro­spect, we can rec­og­nize the impact of that chance meet­ing or conversation.

It was an out­door par­ty held at Ellie’s house, just down the road from where I lived in the small val­ley of Valdez, just out­side of Taos, New Mex­i­co, that Richard Enz­er rode into my life. I had been stum­bling around in the woods, try­ing to get back to where most of the peo­ple were gath­ered in the open area around the house, unable to find my way through the dense veg­e­ta­tion. I was begin­ning to feel panicky.

At the moment I start­ed to emerge into the warm sun­light, Richard got down from the horse he had been rid­ing and, see­ing my face, strode over and opened his arms to hold me. There were no words exchanged, just the com­fort and secu­ri­ty offered in that reas­sur­ing embrace, one per­son to anoth­er. For me, it was a defin­ing moment and despite the var­i­ous expe­ri­ences we shared in the ensu­ing years, that ges­ture of kind­ness and recog­ni­tion remained.

We each wan­dered off in dif­fer­ent direc­tions then at the par­ty and dur­ing the fol­low­ing years. Liv­ing in a small town, I heard about him from time to time but it wasn’t until a num­ber of years lat­er that he reap­peared in my life.
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My part­ner and I had spent more than a dozen years build­ing a busi­ness that involved our active par­tic­i­pa­tion in a small Zapotec Indi­an weav­ing vil­lage locat­ed in the moun­tains just out­side of Oax­a­ca, Mex­i­co. As the years passed, our busi­ness grew as did that of the peo­ple we worked with. We worked sev­en days a week and spent sev­er­al months in Mex­i­co every win­ter work­ing with the weavers and build­ing what devel­oped into a small eco resort and retreat cen­ter in anoth­er part of the coun­try, the Yucatan Penin­su­la of Mexico.

Dur­ing the years of the 1980’s, we were buy­ing large quan­ti­ties of beau­ti­ful hand-loomed rugs and wall hang­ings, care­ful­ly select­ing each piece. We were receiv­ing ship­ments reg­u­lar­ly and had our own “bode­ga” or stor­age area. Here our extra inven­to­ry was care­ful­ly stacked and laid out. Ship­ments that were received at the shop were tak­en there to be unpacked, exam­ined and admired again before putting them in their prop­er places.

It was on one of these occa­sions that we were unpack­ing a ship­ment, that we real­ized the rugs were not famil­iar to us. They were stun­ning­ly beau­ti­ful in deep rich tones of com­plex designs. It didn’t take us long to real­ize that they were Richard’s rugs that had been sent to us by mistake.

Although we hadn’t been in touch with him, we knew that Richard had been work­ing in the same weav­ing vil­lage that we were, after a long absence from Taos, and design­ing his own rugs there. With the help of not­ed weaver and col­orist, Rachel Brown of Taos, New Mex­i­co, he devel­oped a palette of deep, rich col­ors more rem­i­nis­cent of fine ori­en­tal rugs than the col­ors and designs being used in the small Zapotec Indi­an village.

His expe­ri­ence work­ing with the New York rug gallery, the Gor­dian Knot, expand­ed his design hori­zons with ori­en­tal design ele­ments includ­ed in his own col­lec­tion of South­west­ern designs, which he called the Line of the Spir­it. We hadn’t ever seen any of his col­lec­tion but it was clear as we unfold­ed the pieces that day in our bode­ga, that Richard had gone far beyond any­thing being pro­duced in the vil­lage and, with good rea­son, we were very impressed.

Track­ing him down wasn’t dif­fi­cult and we sent the ship­ment on to him. Not long after, he sug­gest­ed that we look once again at some of his pieces with the idea of our pur­chas­ing them. We did and found it a per­fect addi­tion to our own fine col­lec­tion at what was then known as La Uni­ca Cosa (the only thing), now Starr Inte­ri­ors. We loved the rugs and our cus­tomers respond­ed to our enthu­si­asm and were soon buy­ing from Richard on a reg­u­lar basis.

It wasn’t very long after­ward that Richard showed up at the shop one day with his art direc­tor from the vil­lage to lay out a propo­si­tion. What came of that dis­cus­sion was the begin­ning of my long involve­ment with the Line of the Spir­it, which con­tin­ues to this day.