The Return to Sacred Places,” the theme for Taos, New Mexico tourism in 2011 — what could be more sacred than an artist’s heart

Music — Recep­tion — Starr Interiors
In the Return to Sacred Places, the theme for Taos tourism in 2011, what could be more sacred than an artist’s heart? They are the ones who express what the rest of us may not be able to, but respond to on a core level…..which is one of the rea­sons Taos has been renowned as a cen­ter for art for generations.

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In recog­ni­tion of this, Taos has recent­ly been des­ig­nat­ed one of New Mexico’s Art and Cul­tur­al Dis­tricts (ACD). It has, for many years, attract­ed both the artists who have made Taos their home and those who come to vis­it because of them. From carv­ings, paint­ings, sculp­ture and weav­ings to jew­el­ry, con­struc­tion and col­lage, Taos gal­leries have long been a des­ti­na­tion of places that rep­re­sent the entire range of art being pro­duced locally.
Unfor­tu­nate­ly, with the nation­al eco­nom­ic sit­u­a­tion that’s been in the mak­ing over these past half dozen years, many gal­leries are find­ing that they can no longer “make it” and are clos­ing their doors. What’s an artist to do? Look­ing for an alter­na­tive is challenging.
This is where I believe that those of us in the com­mu­ni­ty can step in and become more inno­v­a­tive in our approach by reach­ing out in what­ev­er way we can to be more inclu­sive of the immense tal­ent of Taos artists. Although Starr Inte­ri­ors has been known for more than three decades as the source for the finest of Zapotec Indi­an weav­ings, includ­ing their own design­er Line of the Spir­it™ col­lec­tion, we are now expand­ing our horizon.
Housed in an his­toric build­ing of the same era as the Taos Inn and dat­ing back to the ear­ly 1800’s, the court­yard seems to offer more than just a pret­ty face with the col­or­ful weav­ings and pil­lows dis­played and sur­round­ed by an abun­dance of equal­ly col­or­ful plants and flow­ers. It’s an ide­al place for art recep­tions and demonstrations.
Last month’s appear­ance of Mar­sha Fawns’ work was the first in a series of Starr Inte­ri­ors Fea­tures Taos Artists. Her clay fig­ures attract­ed lots of atten­tion and the show can only be termed a suc­cess if sales were the reflec­tion of the appreciation.
Dawning Pollen Shorty
Dawn­ing Pollen Shorty, Diné (Nava­jo) & Tewa Artist
Sun­day, August 21st Dawn­ing Pollen Shorty will be the guest artist, with a demon­stra­tion from 2–4 PM in the Starr Inte­ri­ors Court­yard and a recep­tion from 5:30–7:30 PM.
Dawn­ing Pollen’s work has been shown in many shows where she has con­sis­tent­ly received awards for her work. Fol­low­ing in the tra­di­tion of a well known fam­i­ly of artists from the Taos Pueblo, this will be the first time that her work will be fea­tured here. Both her par­ents, pot­ter Bernadette Track and sculp­tor Robert Shorty are rec­og­nized artists, but the fam­i­ly artists also includes her grand­moth­er, Jeri, her great grand­moth­er, Toni­ta, and uncle John and great-uncle Ralph.
Dawn­ing Pollen’s work is of an out­stand­ing tra­di­tion, but she has gone beyond the tra­di­tion­al in her own expres­sion of masks and fig­ures of mica­ceous clay mag­i­cal­ly emerg­ing into form.
She has not only tak­en many awards for her work, but teach­es the art of mak­ing pot­tery to her stu­dents, which brings her great plea­sure, instill­ing in them her con­cept of work­ing with nature where “every­thing starts with the clay.”
For me, hav­ing Pollen as the fea­tured artist for August is some­thing quite spe­cial. Although she’s had many years of being a work­ing artist, she start­ed out here in Taos as one of the “per­form­ing” kids in plays that her mom was direct­ly involved in. One of the oth­er kids was my son who was a friend (still involved in the per­form­ing arts). For me, find­ing this out was a very spe­cial con­nec­tion. What could be more “home grown” than these kinds of connections?
Con­tin­u­ing with the Taos con­nec­tions, Starr Inte­ri­ors will fea­ture the work of Tup­per and Richard Haw­ley for the Sep­tem­ber event. Unlike Pollen, who is a new (but in some ways old) con­nec­tion, my con­nec­tion with Tup­per and Richard Haw­ley goes back many decades. Like Pollen Shorty they, too, come from a long line of artists on both sides of their family.
Tupper’s father was famous artist, Bill Heaton known for his amaz­ing work in cop­per and her moth­er was the jew­el­er, Sam­my Heaton. Both her broth­er, Dow and her sis­ter Tita are artists as well. Her own work has been influ­enced by both and is marked by her inno­v­a­tive cre­ations of fused glass. Richard’s moth­er, Ann St. John Haw­ley, who recent­ly passed away this spring, was a much loved and revered Taos painter. Richard’s beau­ti­ful ves­sels of clay are unique in fin­ish, many of which are done in raku.
The work of Tup­per and Richard Haw­ley will be launched on Sep­tem­ber 25th with an artists’ recep­tion in the Starr Inte­ri­ors court­yard from 5–7 PM.
Zapotec Weaver at Loom - Starr Interiors Courtyard
Zapotec Weaver at Loom — Starr Inte­ri­ors Courtyard

Start­ing sev­er­al years ago, to coin­cide with the Taos Wool Fes­ti­val (Starr Inte­ri­ors han­dles only 100% wool, hand-loomed weav­ings), we’ve host­ed a weav­ing demon­stra­tion by a mas­ter Zapotec Indi­an weaver. Here, both locals and vis­i­tors can see the weaver at work while sip­ping on the tra­di­tion­al hot choco­late from Oax­a­ca. For us, it’s always a fun time to recon­nect as well as show peo­ple what we’re all about. Flo­renti­no Gutier­rez and his wife, Eloisa, have proven that we’re all inter-con­nect­ed. As our busi­ness pros­pered, so did theirs and now their old­est son is a doc­tor. Our work­ing con­nec­tion has enhanced our fam­i­lies’ lives as well.

The weav­ing demon­stra­tion will be held on both Sat­ur­day and Sun­day, Octo­ber 1st and 2nd from 1–4 PM in the Starr Inte­ri­ors court­yard and will include sam­pling the won­der­ful Oax­a­can hot choco­late being made there.
More to come.…

Marsha Fawns Sculpture Show a Great Success

The open­ing recep­tion for the sculp­ture show of the work of Mar­sha Fawns was a huge suc­cess. While many peo­ple milled around in Starr Inte­ri­ors’ court­yard, oth­ers were inside view­ing the more than twen­ty pieces that were on exhib­it. It was lots of fun and a delight­ful atmosphere.

 

Marcia Fawns Sculptor
Mar­cia Fawns Sculptor



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Sev­er­al pieces were sold at the open­ing and more the fol­low­ing week. The show is still up and draw­ing atten­tion from vis­i­tors pass­ing by with the beau­ti­ful pieces dis­played in the front win­dow of Starr Inte­ri­ors’ gallery room.

Mar­sha’s sculpt­ing demon­stra­tion was a big hit and many peo­ple came away with a bet­ter under­stand­ing of her work.

In spite of a foot injury that impact­ed upon her abil­i­ty to walk, Mar­sha was hard at work since last fall when the show was first dis­cussed. The result was a beau­ti­ful body of work, pri­mar­i­ly fig­u­ra­tive in theme. Her use of white clay with mica flecks lends a spe­cial glow to her pieces, many of which rep­re­sent some sort of move­ment. The exhib­it, enti­tled “Inter­con­nec­tions” evokes the artist’s philo­soph­i­cal and spir­i­tu­al under­stand­ing, rep­re­sent­ed through her work. 

This show is the first in the series called “Starr Inte­ri­ors fea­tures Taos Artists.” Please check here for the next event to be announced.

Starr Interiors Features Taos Artists” series — “Interconnections” the sculpture in stone and clay of Marsha Fawns

Marsha Fawns Sculptor
Mar­sha Fawns, Sculptor

As part of “Starr Inte­ri­ors Fea­tures Taos Artists” we invite you to attend the events fea­tur­ing the work of Mar­sha Fawns on Sat­ur­day and Sun­day, June 18th and 19th 2011. This new work, shown for the first time in Taos, New Mex­i­co, is sculp­ture in stone and clay. The theme for the show is called “Inter­con­nec­tions” which reflects the artist’s philo­soph­i­cal and artis­tic expression.

She has received awards in juried art shows in Dal­las, Texas and her sculp­ture appears in col­lec­tions in Texas, Arizona,Colorado, New Mex­i­co and Australia.

Sculpture by Marsha Fawns
Sculp­ture by Mar­sha Fawns

On Sat­ur­day, June 18th there will be an open­ing at Starr Inte­ri­ors from 4–6 pm, in the court­yard as well as in the gallery room inside. On Sun­day, June 19th, there will be a sculpt­ing demon­stra­tion from 2–4 pm in the court­yard. Every­one is wel­come to attend these events.

In the past, Starr Inte­ri­ors has fea­tured the work of Jonathan Sobol, R.C. Gor­man, Charles Collins, Jim Wag­n­er, John Lamkin and Steve Storz, all Taos artists, as well as paint­ings and prints of Miguel Mar­tinez, R.C. Gor­man, Walt Gonske, and Michael Vig­il. These shows have linked Taos artists with the Starr Inte­ri­or’s ongo­ing pre­sen­ta­tion of the best of Zapotec Indi­an weavers.

Recent­ly Taos has been award­ed the des­ig­na­tion of an Art and Cul­ture Dis­trict, one of the few in New Mex­i­co. This show of Mar­sha Fawns reflects Starr Interior’s sup­port of Taos artists and launch­es the sea­son for oth­er shows to be host­ed dur­ing the sum­mer and fall which will include:

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August 2011 – Hand-embossed tin work demon­stra­tion by Taos fur­ni­ture mak­er David Mapes

September2011 — Pot­tery exhib­it and demon­stra­tion by Taos pot­ters Tup­per and Richard Hawley

Octo­ber 2011 — Taos Wool Fes­ti­val – Weav­ing demonstration

Novem­ber 2011 — Day of the Dead altar by Hilary Smith

Sep­tem­ber 2011 — Stag­ing demonstration

Decem­ber 2011 — Jew­el­ry show and demon­stra­tion

Winner of Zapotec Indian Rug from Starr Interior’s Memorial Day Raffle.

Winning Zapotec Indian Rug from Starr Interior's Memorial Day Raffle
Win­ning Zapotec Indi­an Rug from Starr Inte­ri­or’s Memo­r­i­al Day Raffle

The win­ner of the Zapotec Indi­an Rug from Starr Inte­ri­or’s Memo­r­i­al Day Raf­fle was New Mex­i­co res­i­dent Nan­cy Sheldon.

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Keep watch­ing this blog for news of upcom­ing events.

An April, 2011 Visit to Oaxaca and the Zapotec Weavers – New Developments in the Line of the Spirit™

text and pho­tos by Susan­na Starr

Back to the moun­tains of north­ern New Mex­i­co just in time to expe­ri­ence what we hope is winter’s last fling. The snow is still on the moun­tain tops. 

Laguna Bacalar from Casa Estrella de Bacalar's Terraza ©Susanna Starr
Lagu­na Bacalar from Casa Estrel­la de Bacalar’s Ter­raza ©Susan­na Starr

It’s won­der­ful being home again with fam­i­ly and friends, but the recent vis­it to Oax­a­ca on a buy­ing trip is still imprint­ed on my mem­o­ry. After spend­ing four idyl­lic and very qui­et months at our beau­ti­ful home, Casa Estrel­la de Bacalar, on Lagu­na Bacalar in the south­ern­most part of the Yucatan Penin­su­la of Mex­i­co, it was a real change to be in the city of Oax­a­ca and espe­cial­ly, in the weav­ing village.

Casa de mis Recuerdos, Oaxaca MEXICO
Casa de mis Recuer­dos, Oax­a­ca MEXICO ©Susan­na Starr

Stay­ing at Casa de mis Recuer­dos with our hosts, Con­chi­ta and Moi­ses was a delight. Many years ago they rent­ed us the home in Oax­a­ca we loved so much and that we spent many hap­py months in over a peri­od of many years. We’ve kept our friend­ship going all that time. Being with them is always spe­cial and the beau­ty that they’ve cre­at­ed at their Bed and Break­fast pro­vides a delight­ful retreat from the bus­tle of the city while still in the heart of every­thing. Work­ing out on the patio with Abi, our liai­son of almost twen­ty years, gave us just the pri­va­cy and space to go over all our buy­ing lists and be able to dis­cuss our new weav­ing designs and share our mutu­al excitement.

As always, the high­light of our stay and, of course, our main pur­pose, is being with the weavers. This trip pro­vid­ed us with many new col­ors and designs and, most impor­tant­ly, has launched a shift in our own design­er col­lec­tion, the Line of the Spir­it™. Some years ago, we start­ed a new “co-op” with the core weavers who had been work­ing on the Line of the Spir­it™ for almost twen­ty years.

Co-op Members - Oaxaca Mexico
Co-op Mem­bers — Oax­a­ca Mex­i­co ©Susan­na Starr

Now, we have cement­ed a new work­ing rela­tion­ship where they are tak­ing com­plete respon­si­bil­i­ty for the pro­duc­tion of this spe­cial col­lec­tion and are mak­ing it offi­cial through a gov­ern­ment spon­sored pro­gram designed to help indige­nous peo­ple become more self-suf­fi­cient. It is espe­cial­ly mean­ing­ful to the launch­ing of Dux Tsuni­um, the Zapotec name cho­sen by the weavers in the co-op (in Eng­lish: Our Thing).

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Alta Gracia, Jazi & Abi -- Coop Meeting
Alta Gra­cia, Jazi & Abi — Coop Meet­ing Oax­a­ca MEXICO ©Susan­na Starr

The Line began with Richard Enz­er work­ing with the weavers, then both of us and final­ly just with me. So the pride that they have always tak­en will now be enhanced know­ing that they now have the ulti­mate respon­si­bil­i­ty them­selves. We dis­cussed issues like the qual­i­ty of the hand spun wool and every­one was in total agree­ment that it was the only kind that would be used. There was lots of laugh­ter and obvi­ous joy in launch­ing the work of the “co-oper­a­ti­va.”

Jazi, Co-op Member Oaxaca MEXICO
Jazi, Co-op Mem­ber Oax­a­ca MEXICO ©Susan­na Starr

We cel­e­brat­ed the new begin­ning with great plans for the future where the weavers will not only do the phys­i­cal work of pro­duc­ing each piece on the loom, but secur­ing the dyes and the yarn that result in the beau­ty and integri­ty of their work, going over each indi­vid­ual piece and tak­ing the ulti­mate respon­si­bil­i­ty for cre­at­ing some­thing to be trea­sured by the ulti­mate own­er of each piece signed with our trade­mark logo. Each per­son work­ing on the project left with the gift of a liv­ing plant from our weaver, Alta Gracia’s, vivero (nurs­ery) that will grow and pros­per as they do.

So much more to be said about the trip, includ­ing won­der­ful comi­das (meals) with the fam­i­lies who are some of my clos­est con­nec­tions in Mex­i­co. Being with their chil­dren and grand­chil­dren keeps our con­nec­tion strong. The teenagers are amaz­ing, beau­ti­ful and tal­ent­ed with great plans for their futures. They seem to be out­stand­ing stu­dents and sev­er­al of the old­er ones have already gone on to study spe­cif­ic careers, any­where from med­i­cine to music.

Jovita - Co-op Member Oaxaca MEXICO
Jovi­ta — Co-op Mem­ber Oax­a­ca MEXICO ©Susan­na Starr

In the next post I will share with you some of the changes that are tak­ing place in the vil­lage. And how it all has come about because of the mag­i­cal cir­cle, of pro­duc­ing these beau­ti­ful weav­ings, mar­ket­ing them and ulti­mate­ly of those unknown strangers who buy them, appre­ci­at­ing the unique expres­sion of this art form as an endur­ing part of their home décor.

Line of the Spirit™  Rug on Co-op Loom
Line of the Spir­it™ Rug on Co-op Loom ©Susan­na Starr

Day of the Dead — Dias de los Muertos — Oaxaca, Mexico

Altar, Cemetery Chapel - Day of the Dead - Oaxaca State, Mexico
Susan­na Starr plac­ing pho­to on Altar, Ceme­tery Chapel — Day of the Dead — Oax­a­ca State, Mex­i­co ©John Lamkin 

The Day of the Dead cel­e­bra­tion is marked by var­i­ous rit­u­als, includ­ing the Amer­i­can Hal­loween. But in Oax­a­ca this hol­i­day, known as Los Dias de los Muer­tos, is some­thing that goes far beyond trick or treat­ing and chil­dren in cos­tumes. It is not marked by carved pump­kins and chil­dren gar­ner­ing as much can­dy as can fill their bags.

Rather, it is a holy hol­i­day, one that marks the cel­e­bra­tion of those who have passed away, death being part of life. Fur­ther, it is an hon­or­ing of those who once were part of their lives, a day of remem­brance. It is a day infused with a feel­ing of spir­it. Yes, there are parades, such as the large on in Mit­la with all kinds of flam­boy­ant cos­tumes, and major dec­o­ra­tions in the large ceme­ter­ies, but the most impor­tant acknowl­edg­ment of this holy hol­i­day takes place at the indi­vid­ual altars in each home.

For the Zapotec peo­ple, the altar is the focal point in their home. All dur­ing the year, it is adorned with pho­tos, some of Mary and Jesus, with can­dles, with vas­es of flow­ers and with oth­er objects that have spe­cial mean­ing. But on these two days, Novem­ber 1st and 2nd, the altars become more spe­cif­ic and elab­o­rate. Now, par­tic­u­lar flow­ers, includ­ing the deep red fox­glove and the bright orange and yel­low marigolds, sym­bol­ize this hol­i­day. More pho­tos are added of their loved ones who have passed on. There are plates of the spe­cial egg based bread that are in abun­dance in every mar­ket and more can­dles. Plates of nuts and fruit and spe­cial­ly pre­pared can­dies are there too, as well as a bot­tle of mescal, the tra­di­tion­al drink used to com­mem­o­rate all spe­cial events

In the evening, most of the vil­lage walks to the ceme­tery at the church, as they have been doing for cen­turies. They car­ry flow­ers and can­dles, food and drink, and kneel at the graves of their loved ones, as well as vis­it­ing the graves of their depart­ed friends. It is a shar­ing with the difunc­tos, as they are known in Span­ish, this day when they feel those spir­its have returned to be with them once again. The first day of Los Dias de los Muer­tos is ded­i­cat­ed to the mem­o­ries of the chil­dren. It is the day when they return to their fam­i­lies one more time. The sec­ond day is for all the oth­ers, which ends with the pil­grim­age to the cemetery.

Alta Gracia (Line of the Spirit dyemaker) at her Altar ©John Lamkin
Alta Gra­cia (Line of the Spir­it™ dye­mak­er) at her Altar ©John Lamkin

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In my almost 40 years of liv­ing and work­ing with the weavers and oth­er  Zapotec peo­ple of a small vil­lage out­side of Oax­a­ca, I have always been remind­ed of what­ev­er they do, whether it is cel­e­brat­ing a spe­cial hol­i­day or sim­ply being involved in an exchange of busi­ness, every­thing is infused with the spir­it. Every home, rich or poor, has as the focal point of their home, a care­ful­ly tend­ed altar. The weav­ings that may be piled up on the bench­es along the wall are also infused with this same sense of spir­it. There is no sep­a­ra­tion. It is some­thing that I think is worth remem­ber­ing when we are involved in our own busi­ness trans­ac­tions, that they are not apart from, but part of our every­day lives…..

Susan­na Starr  Octo­ber, 2010 

Cemetery - Day of the Dead ©John Lamkin
Ceme­tery — Day of the Dead ©John Lamkin
Children's Altar - Day of the Dead  ©John Lamkin
Chil­dren’s Altar — Day of the Dead ©John Lamkin
Day of the Dead Celebration - Oaxaca, Mexico - ©John Lamkin
Day of the Dead Cel­e­bra­tion — Oax­a­ca, Mex­i­co — ©John Lamkin


Events at Starr Interiors — Book Signing & Weaving Demonstration

Father Bill & Mirabai Starr signing "Mother of God; Similar to Fire" at Starr Interiors, Taos, New Mexico
Father Bill & Mirabai Starr sign­ing “Moth­er of God; Sim­i­lar to Fire” at Starr Interiors

Peo­ple were lined up from one end to the oth­er of the Starr Gallery room at Starr Inte­ri­ors, Taos on Fri­day night (Sept. 24th) as Mirabai Starr and Father William McNi­chols (Father Bill) signed their new­ly released book Moth­er of God; Sim­i­lar to Fire*.

This exquis­ite book, a col­lab­o­ra­tion between both author and artist, presents a selec­tion of the icons of Father Bill’s with Mirabai’s accom­pa­ny­ing reflec­tions. The book is ded­i­cat­ed to the Fem­i­nine rep­re­sent­ed by Mary, Moth­er of God since she tran­scends any reli­gious bound­aries, but rep­re­sents the Moth­er as she appears to all peo­ple in all cultures.

It was a beau­ti­ful and joy­ous occa­sion at Starr Inte­ri­ors with both old friends and new, mem­bers of the com­mu­ni­ty and vis­i­tors, milling around the court­yard, sam­pling the deli­cious, beau­ti­ful­ly-pre­sent­ed food pre­pared by the School of Culi­nary Arts of the Uni­ver­si­ty of New Mex­i­co at Taos.

Using sham­poos works for brand via­gra 100mg some and not for oth­ers. It states that pain was reduced by 40 to 50 lev­i­t­ra gener­i­ka wouroud.com per­cent of all women, and most and are most like­ly over­weight as well. Affect­ing the Van Nuys Air­port (VNY), as well as BUR, the Val­ley-Wide Noise Relief Act will online phar­ma­cy via­gra pass­es expand its range to accom­mo­date oth­er south­ern Cal­i­for­nia air­ports if it suc­ceeds. Patients must refrain from con­sid­er­ing extra dosage of such med­i­c­i­nal pills since it could cause lev­i­t­ra on line dizzi­ness. While the folks who had pur­chased their copies of the book wait­ed in line to have their books signed, Mirabai read from the reflec­tions and Father Bill spoke of the mes­sage of Mary as the Uni­ver­sal Moth­er and not­ed singer/songwriter Jen­ny Bird sang her beau­ti­ful and stir­ring ren­di­tion of Ave Maria. What a lot of love and affec­tion poured through the gallery!

Florentino at loom in Starr Interior's courtyard
Flo­renti­no at loom in Starr Inte­ri­or’s courtyard

The next week­end event (Octo­ber 2nd and 3rd) was just as suc­cess­ful – the annu­al vis­it by mas­ter weaver Flo­renti­no Gutier­rez and his asso­ciate Hugo Gon­za­les. While they did weav­ing demon­stra­tions on the tra­di­tion­al Zapotec loom in Starr Inte­ri­or’s court­yard, Florentino’s wife, Eloisa, pre­pared and served deli­cious Oax­a­can hot choco­late. This event coin­cid­ed with the annu­al Taos Wool Festival.

*Moth­er of God; Sim­i­lar to Fire is avail­able from Starr Inte­ri­ors of through Mirabai’s web­site.

Book Signing for “Mother of God, Similar to Fire” at Starr Interiors — Taos, New Mexico

Mother of God:
Moth­er of God, Sim­i­lar to Fire by Fr. William Hart McNi­chols & Mirabai Starr

On Fri­day, Sep­tem­ber 24th 2010 from 5:30–7:30 PM, there will be a book sign­ing of Moth­er of God, Sim­i­lar to Fire. This is a stun­ning col­lab­o­ra­tion of artis­tic expres­sion of Icons by Father William Hart McNi­chols with Reflec­tions by Mirabai Starr. The book sign­ing and cel­e­bra­tion will be held at Starr Inte­ri­ors* at 117–119 Paseo del Pueblo Norte (2 doors south of the Taos Inn). Con­tin­ue read­ing

A Taste of Oaxaca in Taos, New Mexico: Master Zapotec Weaver, Florentino Gutierrez Gives Weaving Demonstration

Florentino Gutierrez Master Zapotec Indian Weaver
Flo­renti­no Gutier­rez Mas­ter Zapotec Indi­an Weaver ©John Lamkin

Flo­renti­no Gutier­rez, not­ed weaver of Zapotec hand­made rugs, will be giv­ing a weav­ing demon­stra­tion show­ing the tra­di­tion­al way of the cen­turies old Zapotec Indi­an weav­ing tech­nique Sat­ur­day and Sun­day, Octo­ber 2nd and 3rd, 2010. Starr Inte­ri­ors will be host­ing this spe­cial event in their court­yard at 117–119 Paseo del Pueblo Norte, Taos, New Mex­i­co two doors south of the his­toric Taos Inn.
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